Director: Joe Wright
Writer: Seth Lochhead, David Farr
Cast: Saoirse Ronan, Cate Blanchett, Eric Bana, Tom Hollander, Olivia Williams, Jessica Barden
Seen on: 18.4.2016
[Here’s my first review.]
Hanna (Saoirse Ronan) grows up with her father Erik (Eric Bana) in complete seclusion. He trains her to be the perfect spy and she grows up knowing that once she leaves her solitary life, she will be hunted down by Marissa (Cate Blanchett). Nevertheless Hanna wants to head out into the world and finally Erik also agrees that she’s ready. So the first thing Hanna does is to head out and try to kill Marissa, before Marissa can kill her.
I was rather disappointed in the film when I saw it the first time – I just didn’t think it lived up to its potential. So I hadn’t planned on watching it again but then it was part of my curriculum at uni and I decided to give it another try. With my expectations dialed down, I was able to enjoy Hanna much more than the first time.
I still think that Hanna is an uneven film. It’s almost two films meshed together and one – the coming of age part – works very well, while the other – the action film – tries too much to work with symbolism and isn’t all that logical. Both have beautiful photography (ironically I appreciated it much more seeing it at home that on the big screen) and the Chemical Brothers’ soundtrack is amazing across the board.
But again, in all of this. it’s Jessica Barden who really shines and sparkles. The rest of the cast is good to excellent (particularly Saiorse Ronan and Cate Blanchett), but it’s Barden who takes the film and makes it her own. Every moment she is on screen, all eyes are on her. And she manages all of that, while remaining utterly genuine and natural. It’s amazing.
What stuck out to me much more this time, though, was Hanna’s sexuality. It was pretty obvious to me now that she is either bi or lesbian, something I think I completely missed the first time round (or forgot immediately for some reason). But the only person Hanna kisses is a girl. She tries to kiss a boy as well, but that is so threatening for her, despite the fact that the boy is the most unthreatening incarnation of a teenager date I’ve ever seen, her defense mechanism kicks in (a frankly hilarious scene), but kissing Sophie is okay. This can be read a few ways, but for me there are two especially pertinent ones: On the one hand, it’s a comment on how desire is shaped differently depending on gender and person we are desiring. On the other, it’s also about heteronormativity – even Hanna, growing up in a cabin in the woods, quickly realizes that she is supposed to desire men. But that feels wrong to her and when something is wrong, she attacks. Only when she lets herself desire a girl, is it okay for her.
Despite some shortcomings, Hanna is engaging and having re-watched once, I don’t think I’d mind re-watching it again and taking an even closer look.