Tom Ludlow (Keanu Reeves) is an undercover cop. He is successful, but he rarely sticks to the law. Neither does his superior, Jack Wander (Forest Whitaker), which is how Tom got away with it for years. But now Internal Affairs in the form of James Biggs (Hugh Laurie) have started to investigate, just as Ludlow’s colleague Terrence Washington (Terry Crews) has espressed doubts about Ludlow and his methods. It doesn’t take long for things to go from bad to worse for Ludlow.
Street Kings is an utterly grueling film, and not in a good way at all. While the cast promises much, the script doesn’t deliver and what you get is a boring film filled with unlikeable characters.
Peter (Tom Holland) is excited about the new superpowers he has gained and wants to become a proper superhero, like Iron Man/Tony Stark (Robert Downey Jr.) who recruited him not too long ago. But now Tony is keeping him at arm’s length and Peter is supposed to keep a low profile and go to high school, when he just wants to be properly heroic Spider-Man. When a new villain makes an appearance, Peter can’t keep still, though. Something needs to be done. And if nobody else does it, he will.
Spider-Man: Homecoming is entertaining and fun and has its fair share of problems. I enjoyed it, but not without reservations.
Frank (Chris Evans) raises his niece Mary (Mckenna Grace). Mary is very smart. So far, Frank was able to keep her talents under wrap, but now it’s time for her to start school. And immediately Mary’s math abilities are noticed by her teacher Bonnie (Jenny Slate). But Frank doesn’t want to place Mary in special classes. His refusal causes both Bonnie and the school to dig deeper, bringing Frank’s mother Evelyn (Lindsay Duncan) who has very different ideas about how to raise Mary. As neither Frank nor Evelyn want to budge from their position, they take the question to court in a custody battle.
Gifted is very surprisingly a smart film about being smart. I did have a couple of issues with it, but they are not related to that. And mostly the film was engaging and emotional and went right for the feels in just the right way.
Richard Kuklinski (Michael Shannon) works behind the scenes in the porn industry, a job that brings him in contact with Roy Demeo (Ray Liotta) who sees potential in Richard and promptly hires him as a contract killer. Richard takes to this new job with a sense of professionalism that includes keeping it very far away from his wife Deborah (Winona Ryder) and kids. But mob politics aren’t easy to navigate and Richard can’t make everybody happy at all times.
I didn’t expect much from this film, but despite a lengthy second half and some seriously atrocious 70s hair, it drew me in, mostly thanks to a magnetic Michael Shannon.
London (Jessica Biel) broke up with Syd (Chris Evans) six months ago, but Syd can’t let her go. When he hears that friends are throwing a going-away party for London, he decides to go there uninvited to speak to her one more time. On the way there, he meets banker Bateman (Jason Statham) and brings him alone. But when he reaches the party, he loses his courage and locks himself in the bathroom where he consumes copious amounts of cocain and alcohol and tries to talk it through – with himself, with Bateman, with the various bathroom visitors, just not with London.
London is a film made by men for men who are convinced that every word that falls out of their mouths is interesting and very smart. Newsflash: it’s not. In fact, the entire film is proof that a lot of men are absolutely unbearable.
Teacher Jessica Martin (Kim Basinger) finds herself being held captive by Ethan (Jason Statham), who is actually looking for her husband. As Jessica is locked away in the attic, she applies her science knowledge to use the smashed up phone their. The catch is that she can’t really control the dial. Quite by chance she ends up calling carefree surfer dude Ryan (Chris Evans). Ryan doubts Jessica’s story, but she manages to convince him – and it’s up to him to help her out of this very bad situation.
I didn’t expect much from Cellular – some mindless action. Which is what I got, but in a surprisingly charming and humorous package.
2057. The sun is dying and the only solution humanity has found is to send a team of astronauts there to reignite it with a fission bomb or else find all of life on earth doomed. The first mission, Icarus-I, to do just that has already failed, now a new team, Icarus-II, is on its way. When they pick up the distress signal of the Icarus-I, they decide to pick up the bomb that the ship has aboard, as a failsafe for their own mission. But that bomb may come at a higher price than they expected.
When I watched Sunshine for the first time, I remember not being particularly taken with it. But it was one of those films where I started getting doubts about my own judgement and that made me curious to check it out again almost 10 years later. And in this case, it definitely paid off, although I still didn’t fall head over heels for it, I did appreciate it much more than the last time.
Fisher Willow (Bryce Dallas Howard) has spent some time overseas. Now she’s back home and supposed to come out to society. But while she was gone, her father caused some trouble in their town and is now hated. Fisher herself is rather wild and outspoken. The two things in combination leave her rather ostracized. She can’t even find a date to accompany her. So she pays Jimmy (Chris Evans) to accompany her. Jimmy’s family used to have a big name, but they have since fallen in standing. And Jimmy has his fair share of troubles to contend with, but he desperately needs the money.
I do wonder why nobody ever talks about The Loss of a Teardrop Diamond. Not only is it by Tennessee Williams (a “lost screenplay” that resurfaced 50 years after it was written), it’s a really good film.
Ally (Anna Faris) has been dating for a while but so far she wasn’t very lucky. But then two things happen that makes her tackle the issue more aggressively: she gets fired from her job and needs to re-orient herself and she reads an article that says that women who sleep with more than 20 men usually don’t get married. After a quick count, Ally realizes that she slept with 19 men so far – and so she decides to look up all her old boyfriends to re-date them and not add to the list. To track all of them down, Ally gets help from her neighbor Colin (Chris Evans) who in turn gets Ally’s help to get rid of the girls he brings home all the time.
What’s Your Number? does pretty much everything wrong that a RomCom could possibly do wrong (apart from getting Chris Evans naked a lot, that’s excellent), but at least Ally and Colin are surprisingly likeable. But when that’s the best thing you can say about a film, it’s probably clear that the film really doesn’t need to be seen.
Plot: Mike (Chris Evans) and Paul (Mark Kassen) have a law firm together, but their lives are looking very different: while Paul is a settled family man, Mike loves nothing more than to party – with drugs. They meet nurse Vicky (Vinessa Shaw) who contracted HIV/Aids froma patient by way of a needle he stabbed her with, and who introduces them to a safety needle that would make infections like hers impossible but that the hospitals refuse to buy. They know that somebody has to fight on her side. But suing the company who runs the hospitals in the area is a huge undertaking and who knows whether they’ll be able to keep up with it.
Puncture tells a big story, but unfortunately it tells it in such a boring way that I could barely make myself pay attention. Despite Chris Evans in suspenders (and often without a shirt), which is really saying something.