In the 60s everybody was excited about technology, above all Frank (Thomas Robinson) who tried builds his own jetpack for the World Fair. Even though the jetpack doesn’t work, it catches the eye of Athena (Raffey Cassidy) who changes Frank’s life forever.
50 years later the scientific enthusiasm of the world seems to be mostly gone, although there still are people like Casey (Britt Robertson) who dreams of becoming an astronaut and does everything in her power to stop the dismantling of a NASA launch site in her area – which leads her straight to prison. When she’s released, she finds a pin in her possession. A pin that shows her a beautiful utopia, one she’s convinced is real. And her search leads her directly to – by now adult – Frank (George Clooney).
Tomorrowland was a sweet film. Not great, but sweet, with a couple of moments that were quite frankly flabbergasting in their stupidity.
Gerry (Brad Pitt) used to work as an investigator for the UN, but retired to be with his kids (Sterling Jerins, Abigail Hargrove) and wife Karin (Mireille Enos). It all goes well until the zombie apocalypse happens. As the world is overrun, Gerry’s former boss Thierry (Fana Mokoena) calls him back to duty and asks him to try and find out how the infection spread and how they could possibly stop it.
I loved the book, but from everything I read about the movie before seeing it, I knew not to expect it to be as good. Nevertheless I was still surprised by how bad this film was.
After a couple of attacks on Starfleet by John Harrison (Benedict Cumberbatch) and his subsequent escape to the Klingon home planet Kronos, Kirk (Chris Pine) and his crew are sent there with a new kind of missile to kill Harrison. Even though Spock (Zachary Quinto) and Scotty (Simon Pegg) have their doubts about the legitimacy of that mission, Kirk sticks to it. At first at least.
I expected Star Trek Into Darkness to be fun in a not exactly intelligent way. Nevertheless I had my problems enjoying it because it was just so damn dumb. But even that I wouldn’t have minded so much if the pacing had been a little better. It’s still enjoyable, but just not as much as I had hoped.
After scientists find several unrelated cave paintings and murals that all depict the same star constellation, a mission is sent out to go to the planet and find out what’s there. And at first, the Promethes mission seems a full success – much to the joy to the scientist team of Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green). But the android David (Michael Fassbender) seems to have his own mission.
This is a pretty, pretty movie with some pretty, pretty people in it. And the cast really does try their best. But all their talent and all the pretty in the world can’t make up for the sheer stupidity of this film.
Jake Lonergan (Daniel Craig) wakes up in the desert, without his memories but with a weird bracelet on his arm that he isn’t able to remove. He makes his way to the town of Absolution where he is recognised as a wanted fugitive when he gives Percy (Paul Dano), the son of the local head honcho Woodrow Dolarhyde (Harrison Ford), his due. Before things can go really bad, Absolution is attacked by space ships and many of the town inhabitants are abducted, among them Percy and the town’s barkeeper Doc’s (Sam Rockwell) wife. That’s when Jake’s bracelet kicks into action and shows some really special features. So, a search party heads out to find the missing people, including Jake, Woodrow, Doc and the mysterious Ella (Olivia Wilde).
Cowboys & Aliens is a well paced action flick with a good sense of humor and a very good cast. I liked it a lot.