Limehouse, London has turned into a terrifying place after a series of murders has taken place. Inspector John Kildare (Bill Nighy) is finally called in to investigate and he senses a connection to music hall star Elizabeth Cree (Olivia Cooke) who has been accused of poisoning he husband on the very night of the last of the killings. He starts interviewing Lizzie and is soon determined to solve both cases.
The Limehouse Golem is okay, neither particularly great, nor particularly bad – although it would have probably benefitted from a push in either direction. As is, it is a little too bland to be really memorable.
Eleanor (Saoirse Ronan) and her mother Clara (Gemma Arterton) had to leave their old town in a hurry and have ended up in a small coastal town where they try for a new start. Being centuries old vampires, this is not the first time they had to do this. Eleanor is struggling with what she is, while Clara is pragmatic enough to always fall on her feet. She quickly finds Noel (Daniel Mays), who owns a run-down hotel, and with him shelter and work. Meanwhile Clare meets Frank (Caleb Landry Jones), a student with leukemia, and feels immediately drawn to him. But they aren’t save yet.
Byzantium has a great set-up and a great cast and it could have been utterly brilliant, but it did neither justice. To call it disappointing almost isn’t strong enough.
There are rumors that the Empire is building a great new weapon, called the Death Star. The Rebel Alliance has caught wind of that and hatches a plan to steal the plans for that weapon as they heard that there was a structural weakness that they may use to destroy it. They believe that Jyn (Felicity Jones) may be the key to success as her father (Mads Mikkelsen) seems to be involved with the planning. But Jyn hasn’t seen her father in 15 years and she’s also not all that interested in helping the Alliance. But they do reach a deal and Jyn finds herself accompanying pilot Cassian (Diego Luna) on the mission.
I will probably never be super excited about Star Wars – it’s just not my franchise. But I did enjoy Rogue One a whole lot, despite a couple of lengths it suffered from.
Igor (Daniel Radcliffe) works in a circus as a clown. Due to his hump, he is decried as a freak and mistreated at every turn. People certainly aren’t seeing his medical talent, even though they are okay with him treating them. Things change drastically for Igor, when Victor Frankenstein (James McAvoy) turns up in his circus one night. Victor realizes how much of a diamond in the rough Igor is, helps him to flee, cures him of his hump and enlists him in his own experiments: Victor is set on freeing the world from death itself.
How many Frankenstein adaptations does the world need? No matter, there’s always one more. Victor Frankenstein isn’t a particularly good one at that, but I’m pretty damn sure it is the gayest one in existence. I’m pretty sure I’ve seen gay porn that wasn’t that homoerotically charged. And that did make it pretty fun to watch.
One day Tintin (Jamie Bell), a young reporter, stumbles upon the model of The Unicorn, a ship that was lost at sea (and with it, the treasure it was carrying). Tintin just thinks it’s nice but when several people immediately try to buy it off him (for outrageous prizes), he is intrigued and starts to investigate. But Mr Sakharine (Daniel Craig) one of the prospective buyers, doesn’t give up easily and even resorts to kidnapping. And so Tintin is whisked away on an adventure, together with the eternally grumpy Captain Haddock (Andy Serkis).
Tintin is a gorgeous looking movie* with a good voice cast. Unfortunately, it is also a Tintin movie.
Therea are 187 women working in the Ford factory in Dagenham, sewing together car seats. Their work environment is pretty crappy which is why they’re considering a strike. It is more by coincidence that Rita O’Grady (Sally Hawkins) gets involved, but when she does, she challenges not only the working conditions and payment but soon heads a nationwide protest for women’s rights and equal pay.
Made in Dagenham is a very enjoyable little film with great performances and a nice sense of humor. Not to mention that it’s about an important and interesting topic, which it handles intelligently even if not in-depth.