Plot: Mary (Taraji P. Henson) is a contract killer and a damn good one. She never had any problems with doing her job but after she shoots Marcus Miller, she discovers that he has a son, Danny (Jahi Di’Allo Winston) – and she finds that she can’t let him go, watching him from afar. Danny’s circumstances haven’t become better since his father’s death. He lives on his own and became involved in drug dealing, working for Uncle (Xander Berkeley). But when things go south on one of his deals, Mary steps in and takes Danny under her wing. The thing is that she does so by upending the entire balance of Boston’s underworld.
I was really looking forward to Proud Mary – and disappointed that it never made it to cinemas in Austria. Now that I’ve seen it, I understand why it was buried, though. It really doesn’t work.
Tom (Michael Shannon) and his wife Ramina (Azita Ghanizada) expect guests for dinner. Ramina is a jewelry designer who has recently been accepted into a design program across the country. Tom is ambivalent about moving and leaving his work behind. But before they can fight about this (again), their guests arrive and interrupt. Among them is Tom’s co-worker Clyde (Michael Chernus) who brought a date – the lovely Alice (Rachel Weisz). Michael is sure he knows Alice, but refers to her as Jenny. Her sudden re-appearance in Tom’s life throws him for a loop.
From the description I expected Complete Unknown to be an entirely different film, a thriller, something dramatic, dark and tension-filled. Instead I got a dialogue-driven rumination on identity. It wasn’t bad by a long-shot, but I did feel a little disappointed by that as the turn to darkness never came. Fortunately not for long, though.
Scientists make a discovery: the world is ending in 2012, the Mayans were right. So, the most powerful men of the world hatch out a plan, don’t tell anyone about it and then in 2012, one righteous man tries to save his family.
Honestly, who cares about the plot? The plot is not important.
2012 delivers what Roland Emmerich promised in Independence Day and The Day After Tomorrow: Nobody can destroy the earth just like he does. You just need to ignore the science (ridiculous), the story itself (been there, seen that times one hundred) and the (mostly) mediocre acting and enjoy the Special Effects. Since nothing about this movie is outrageously offensive, that’s easily done.