Plot: It’s been a year since Spencer (Alex Wolff), Martha (Morgan Turner), Fridge (Ser’Darius Blain) and Bethany (Madison Iseman) returned from Jumanji. They finished high school and each set out on their own life. But now the holidays are coming up and they can’t wait to meet again. Only Spencer isn’t actually happy with his life and when his grandfather Eddie (Danny DeVito) tells him that now is the best time of his life, Spencer decides that he’d rather be Bravestone (Dwayne Johnson) again. When his friends, his grandfather and his grandfather’s friend Milo (Danny Glover) all come looking for him, they all end up in the game – and things are different than before. Very different.
I was very pleasantly surprised by Jumanji: Welcome to the Jungle, so I was a little worried that Jumanji: The Next Level would turn out to be the film I feared JWttJ would be. But I’m happy to report that it was a whole lot of fun again.
Plot: Centerville is a small, sleepy town where nothing much ever happens. Or at least, nothing happened so far. When police officers Cliff (Bill Murray) and Ronnie (Adam Driver) get called to investigate a stolen chicken, they realize that something isn’t right: the sun isn’t setting. Their clocks stopped working. Oh, and the dead start rising again. Soon the entire town has to face a zombie horde.
I didn’t hear much good about The Dead Don’t Die before seeing it, but I still had hope that everyone was wrong (because Jarmusch’s two last films, Paterson and Only Lovers Left Alive, were my two favorites of his ever since Dead Man). Unfortunately it was me who was wrong to hope.
Plot: Cassius (LaKeith Stanfield) lives with his girlfriend, the artist Detroit (Tessa Thompson), in his uncle Sergio’s (Terry Crews) garage. Money is tight and that doesn’t really change when Cassius starts a new job as a telemarketer. But success is just around the corner when Cassius discovers his white voice and uses it in his sales. At the same time though his co-worker Squeeze (Steve Yeun) is starting to raise concerns about the products they are selling.
Sorry to Bother You is a wild film, in the best sense: it takes you into entirely different directions and it has so much fun with exploring and experimenting, that it doesn’t matter in the slightest when things get a little messy. I was thoroughly charmed by pretty much everything about it.
Plot: Mary (Taraji P. Henson) is a contract killer and a damn good one. She never had any problems with doing her job but after she shoots Marcus Miller, she discovers that he has a son, Danny (Jahi Di’Allo Winston) – and she finds that she can’t let him go, watching him from afar. Danny’s circumstances haven’t become better since his father’s death. He lives on his own and became involved in drug dealing, working for Uncle (Xander Berkeley). But when things go south on one of his deals, Mary steps in and takes Danny under her wing. The thing is that she does so by upending the entire balance of Boston’s underworld.
I was really looking forward to Proud Mary – and disappointed that it never made it to cinemas in Austria. Now that I’ve seen it, I understand why it was buried, though. It really doesn’t work.
Tom (Michael Shannon) and his wife Ramina (Azita Ghanizada) expect guests for dinner. Ramina is a jewelry designer who has recently been accepted into a design program across the country. Tom is ambivalent about moving and leaving his work behind. But before they can fight about this (again), their guests arrive and interrupt. Among them is Tom’s co-worker Clyde (Michael Chernus) who brought a date – the lovely Alice (Rachel Weisz). Michael is sure he knows Alice, but refers to her as Jenny. Her sudden re-appearance in Tom’s life throws him for a loop.
From the description I expected Complete Unknown to be an entirely different film, a thriller, something dramatic, dark and tension-filled. Instead I got a dialogue-driven rumination on identity. It wasn’t bad by a long-shot, but I did feel a little disappointed by that as the turn to darkness never came. Fortunately not for long, though.
Scientists make a discovery: the world is ending in 2012, the Mayans were right. So, the most powerful men of the world hatch out a plan, don’t tell anyone about it and then in 2012, one righteous man tries to save his family.
Honestly, who cares about the plot? The plot is not important.
2012 delivers what Roland Emmerich promised in Independence Day and The Day After Tomorrow: Nobody can destroy the earth just like he does. You just need to ignore the science (ridiculous), the story itself (been there, seen that times one hundred) and the (mostly) mediocre acting and enjoy the Special Effects. Since nothing about this movie is outrageously offensive, that’s easily done.