Plot: Maria-Theresia Paradis (Maria Dragus) is a gifted musician who lost her eyesight at a young age for no apparent reason. Now her parents have heard about the revolutionary methods of physician Franz Mesmer (Devid Striesow) and they are hoping that he will be able to restore her eyesight. So Maria-Theresia is brought to his castle where Mesmer sets to work. Soon their relationship becomes very intense and there seems to be improvement in her condition.
I was hoping I would like Licht more than I actually did. Unfortunately I was unhappy with the way the film dealt with disability and I felt that it had considerable lengths.
After Michael (Devid Striesow) loses his job, he is reeling and his attentions focus on actress Leila (Edita Malovcic) who happens to be his friend’s Roland (Norman Hacker) girlfriend. Meanwhile Michael’s wife Monika (Silke Bodenbender) feels that Michael is keeping his distance and looks for intimacy with Roland. And Michael and Monika’s daughter Viktoria (Jana McKinnon) doesn’t exactly have an easy time navigating puberty.
Liebe möglicherweise tries very hard to be poignant, but it doesn’t even manage to be memorable. I had practically forgotten it the moment I left the cinema.
Hanna (Sophie Rois) and Simon (Sebastian Schipper) have been a couple for quite a while now and things are stagnating. It works but more because there’s no reason why it shouldn’t than because there’s a reason it should. When first Hanna, then Simon meet Adam (Devid Striesow) – separately from each other, they both sleep with him – also separately from each other. As both Hanna and Simon get more attached to Adam, their relationship with each other is more than being called into question.
I had actually forgotten that I had watched 3 before. It was only about 20 or 30 minutes into the film that I realized it and then I was pretty sure that I had at least never written about it, which was also wrong. I guess that’s already a pretty telling comment on the film itself. It’s far from bad, but somehow it just doesn’t really stick around.
Yella (Nina Hoss) lives with her father (Christian Redl) after a messy divorce from Ben (Hinnerk Schönemann) who is not quite done with her and keeps on following her, trying to talk about the company they built together and that has been falling apart for a while. But now Yella has found a way out: she has a job offer in another city. But when she arrives there, the job is gone and instead she meets Philipp (Devid Striesow), a business man/con artist and gets drawn into his affairs.
Yella is a weird film and I didn’t really get into it. While it has an interesting atmosphere and good performances, the story itself left me mostly bewildered and not in a good way.
Radical Evil is a documentary about the mass shootings in Eastern Europe during WWII, where about two million Jewish civilians were killed – by completely “normal” soldiers. The documentary looks at the psychological basis of their behavior as well as quotes from letters and diaries the soldiers themselves wrote to try and understand how they could have done what they did.
The topic Ruzowitzky chose is extremely interesting and he chose fascinating men to interview about it. But I was still rather disappointed by what was made of it.
Hanna (Sophie Rois) and Simon (Sebastian Schipper) have been a couple for quite a while now and things are stagnating. It works but more because there’s no reason why it shouldn’t than because there’s a reason it should. But then first Hanna, then Simon meet Adam (Devid Striesow) – separately from each other. And both fall in love with him.
The cast is excellent and Tykwer approaches the story with a lot of sensitivity and a nice sense of humor. Unfortunately, I thought that it focussed on the wrong thing.