Plot: Evelyn (Emily Blunt), Regan (Millicent Simmonds), Marcus (Noah Jupe) and the baby are all that is left of the Abbott family. With their home destroyed and a newly-discovered weapon against the creatures, they dare venture out to where they saw a signal fire. But the world is a dangerous place, and the creatures aren’t their only problem.
A Quiet Place Part II manages to keep the quality of the first film, although the first film did have a couple of advantages that made it stand out more than this one. But overall, it’s a really satisfying sequel.
Plot: Many years ago, Mary Poppins (Emily Blunt) stayed with the Banks family to take care of Michael and Jane. Now Michael (Ben Wishaw) is a father and widower himself and he and Jane (Emily Mortimer) try their best to provide everything Michael’s children (Pixie Davies, Nathanael Saleh, Joel Dawson) could need. But they are struggling, emotionially and financially. So Mary Poppins makes a return to the Banks’ home to help them once again.
Mary Poppins Returns is nice enough, but it didn’t really make me happy, given that it doesn’t really know if it is a remake or a sequel, makes some questionable choices, and generally it just doesn’t hold a candle to the old film.
Plot: Earth has been overrun by monsters who can hear the slightest sound and use it to hunt humans down. The Abbotts are desperately trying to survive in the apocalypse, with father Lee (John Krasinski) and mother Evelyn (Emily Blunt) trying to keep their children Regan (Millicent Simmonds) and Marcus (Noah Jupe) safe. The family has an advantage because Regan is deaf and they therefore know sign language. But it’s unlikely that they can go on much longer as they have been.
A Quiet Place pulled me in and didn’t let me go. And it isn’t just a strong, emotional film, it’s also a great example of how to represent disability in films, which makes it even better. I’m happy to say that it is a film that deserves its hype.
Rachel (Emily Blunt) takes the same train to work every day. And every day she sees Megan (Haley Bennett) who lives a few houses down from the one Rachel used to live with her now ex-husband Tom (Justin Theroux). Tom left her for Anne (Rebecca Ferguson) and they still live in that house with their new baby. Rachel becomes rather obsessed with Megan, catching three seconds of her life every day. And then she hears that Megan went missing. Rachel wants to help, but she is also worried about herself because she lost the memory of the night Megan went missing and just knows that she woke up dirty and with blood on her hands.
The Girl on the Train tries very much to hit the same lane as Gone Girl but fundamentally misunderstands what made Gone Girl so great. It was a frustrating experience.
[SPOILERS for The Girl on the Train and Gone Girl]
Together with many other children Eric (Chris Hemsworth) was drafted/enslaved in the army of Ice Queen Freya (Emily Blunt), Ravenna’s (Charlize Theron) sister. For Freya, who was disappointed in love herself, the most important rule was that there would be no feelings, especially no love, between the children or anybody else for that matter. Despite that, Eric fell in love with Sara (Jessica Chastain), a fellow warrior. Things did not end well. Now many years later, Eric finds himself facing Freya once more after he is charged by King William (Sam Claflin) to bring the dead Ravenna’s magic mirror to a safe space because it is making Snow White dangerously ill.
Snow White and the Huntsman was a spectacular failure, laying the bar very low for The Huntsman: Winter’s War. The film steps easily over that low bar, surpassing expectations. But that doesn’t mean that it’s a high-flying success. But at least Huntsman is way more entertaining than Snow White.
After an assignment that ends pretty badly, FBI agent Kate (Emily Blunt) is recruited by CIA operative Matt Graver (Josh Brolin) for a joined task force as Kate’s operation brought her in contact with a Mexican drug cartell that Graver has been investigating for years. Together with informant/operative Alejandro (Benicio Del Toro), they enter Mexico to hunt down the cartell’s head. But it seems that there is more to the story and Kate finds herself increasingly puzzled.
Sicario seems to be on a mission: to find out how boring you can make a movie about murder, human trafficking and shady governments. They went far in their quest and I can now tell you: it can be very boring indeed.
The baker (James Corden) and his wife (Emily Blunt) dream of having a child, but due to a curse by the evil witch (Meryl Streep), they can’t conceive. But the witch offers to reverse the curse – if they bring her certain items: a cow as white as milk, hair the color of corn, a golden slipper and a red cape. They set off into the woods where they hope to find all of those items. As luck will have it, Cinderella (Anna Kendrick) runs away from her prince (Chris Pine) in golden slippers, Jack (Daniel Huttlestone) tries to sell his white cow, Litte Red Riding Hood (Lilla Crawford) is visiting her gran in her red cape and Rapunzel (Mackenzie Mauzy) and her blonde hair meet her prince (Billy Magnussen) – all in those same woods. But things don’t go quite as planned.
The first half of Into the Woods is extremely enjoyable. In the second half, the plot completely unravels, but at least cast and production design are still awesome.
Jiro (Hideaki Anno) loves airplanes. He would like to fly one, but unfortunately his eyesight is too bad to become a pilot. Instead he decides to become a plane designer, after designer Giovanni Battista Caproni (Mansai Nomura) speaks to him in a dream. Years later his dream is coming true, but World War 2 is also on the horizon, which poses the question whether it is ethical to design war planes.
I was really excited for a new Miyazaki film, despite the fact that Ponyo wasn’t all that good. I was hoping that the chiefly positive reviews were right. I’m sorry to say that I was really disappointed though. Maybe he really should have quit already.
Ever since his brother Tom’s death, Jack (Mark Duplass) has been off, continuously spiraling out of control. So his best friend and Tom’s ex-girlfriend Iris (Emily Blunt) orders him a time-out. Alone. In the family cabin. But when Jack arrives there, Iris’ sister Hannah (Rosemarie DeWitt) is also there, recuperating after a break-up with her girlfriend. To overcome the initial weirdness, the two of them get drunk together and promptly sleep with each other – only to be surprised by Iris the next morning. As all of them have something they’re hiding, they go through all the shades of awkwardness together.
I have seen three Lynn Shelton movies so far and I honestly loved all of them. I would be hard-pressed to say which one was my favorite. As with the other films, Your Sister’s Sister combines issues and emotional content with a light, sweet sense of humor. I could have watched it for hours more.
Humanity is at war with aliens and slowly losing. William Cage (Tom Cruise) is the face of the United Defense Force. But just the face – until he is sent into combat by General Brigham (Brendan Gleeson). Cage practically has to be dragged there and is promptly killed by an alien – only to awake again about 12 hours before his death. Together with the war heroine Rita Vrataski (Emily Blunt) who has been through the same thing, he tries to put an end to the aliens.
Edge of Tomorrow is an exciting film with great special effects. It leaves no action movie cliché unfeatured, but it does so most charmingly. If you’re able to accept that this film will give you only tried and true tropes, storytellingwise, you’re in for a really good time.