Plot: Morf (Jake Gyllenhaal) is an art critic, always looking for something new and good. But currently, he is rather more occupied with Josephina (Zawe Ashton). She works in the gallery run by Rhodora (Rene Russo), hoping to become a successful agent herself, and Morf is deeply in love with her, despite having a boyfriend. When Josephina finds out that a recently deceased tenant in her building was an artist who wanted to have all his art destroyed upon his death, she is convinced that his art is something special. She is not wrong, though she couldn’t have foreseen what kind of special it really is.
Velvet Buzzsaw is visually engaging, and has a great cast who obviously had a lot of fun chewing the scenery in this one. But the metaphor at its heart feels a little flimsy and could have done with a little more work.
Plot: After everything Thanos and the Avengers have done, Peter (Tom Holland), aka Spider-Man, returns to high school. But there really is no going back to normal anymore. Still, they make an attempt that includes a class trip to Europe. Peter is excited, hoping to find a possibility to finally ask out MJ (Zendaya). But instead Nick Fury (Samuel L. Jackson) contacts him, asking him to take on a new threat in the shape of elemental monsters. Peter should team up with Mysterio (Jake Gyllenhaal), a new superhero and the only man to fight the monsters and come out alive so far. Juggling class obligations, friends and a secret monster fighting mission may be a little more than Peter can handle, though.
Coming after Endgame, Spider-Man: Far From Home has its work cut out for itself. Endgame was a big finish that left a lot of characters with a lot of pain, but Spider-Man has always been the more light-hearted, more comic relief character. But I thought that the film handled that challenge pretty well. It was entertaining, that’s for sure.
Plot: Charlie (Joaquin Phoenix) and Eli Sisters (John C. Reilly) are hitmen and their newest task is to kill prospector Hermann Warm (Riz Ahmed) who stole from their employer The Commodore (Rutger Hauer). Tracking Warm is private investigator John Morris (Jake Gyllenhaal) who is supposed to hand Warm over to the Sisters brothers. But when Morris starts doubting Warm’s guilt, he teams up with him instead. Meanwhile the Sisters brothers are plagued by bad luck, Charlie’s drinking and Eli’s misgivings about their profession.
I’m not much of a Western fan (a few exceptions notwithstanding), but time and again I get roped into them. In this case, it was the cast that drew me. But the film still didn’t work for me – that’s a resounding meh from my part.
Plot: Joe (Ed Oxenbould) lives with his parents Jerry (Jake Gyllenhaal) and Jeanette (Carey Mulligan) in what could and should be the standard family of the 1950s. But when Jerry loses his job, things start to fall apart. He finally decides to leave town to find employment, effectively leaving Jeanette and Joe as well. Now Joe has to watch his mother trying to cope with the situation by flirting which puts him in a very difficult situation.
I’m afraid that my expectations for Wildlife were a little too high. It’s not bad, but it just isn’t as great as the cast would suggest.
Mija (Seo-Hyun Ahn) lives with her grandfather Hee Bong (Hee-Bong Byun) and with Okja. Okja is a genetically modified breed of superpigs. To see how the animals fare, twelve of them have been placed in various situations worldwide to see what environment suits them best. It turns out that Okja is the winner. That means that they find themselves confronted with nature filmer Johnny Wilcox (Jake Gyllenhaal) who has been sent by the corporation Okja actually belongs to to publicize the result of the contest. But even though Wilcox is not the most charming individual, he quickly becomes the least of Mija’s problems as she has to fight for Okja and their life together.
Okja is sweet and it has a great cast. It has a political message that it puts front and center, but unfortunately that message is muddled at the best of times and incomprehensible at other times. When you make a film that so obviously has something to say, when that something remains that unclear, the entire experience is frustrating and nothing else.
Six astronauts/scientists on the International Space Station study samples that have just been successfully collected on Mars. They hope to find out more about the conditions on Mars, but what they find instead is actually life: a single cell organism that’s either dead or dormant – but it’s there. They can barely contain their excitement, especially when their attempts to revive the organism are actually successful. But they have never encountered a live form like this – and it quickly turns out that it’s more than they bargained for.
Life is a decent, albeit derivative film that works pretty well – at least if you don’t keep comparing it with the Alien franchise it is a little sibling of.
Art gallery owner Susan Morrow (Amy Adams) receives a package in the mail. It contains the draft of her ex-husband Edward Sheffield’s (Jake Gyllenhaal) new novel and the information that he is in town and would like to meet her. Susan hasn’t spoken to him in almost 20 years and she is surprised by the novel and the meeting, but she starts to read the novel that was apparently inspired by her. It tells the story of Tony Hastings (Jake Gyllenhaal) who goes on a roadtrip with his wife Laura (Isla Fisher) and daughter India (Ellie Bamber) – a roadtrip that turns violent when they get into trouble with another car and its passengers.
Nocturnal Animals is a highly polished film that tells a story that goes under the skin. It’s definitely not a film that lets go of you easily, even if not everything about it works without a hitch.
Davis (Jake Gyllenhaal) thought his life was pretty good, but after his wife Julia (Heather Lind) dies in a car accident, he finds that things weren’t all what they cracked up to be: he didn’t really know Julia, and he simply overlooked all the things that weren’t right. In his grief, he writes a letter of complaint to a company filling vending machines, detailing not only that his candy got stuck in the machine, but his entire situation. The customer service rep Karen (Naomi Watts) who reads his letter finds herself intrigued and together with her son Chris (Judah Lewis), they starts playing no small part in Davis’ attempt to first destroy, then rebuild his life.
When I saw the trailer for Demolition for the first time, I was very much reminded of this tweet (that I can’t find anymore) where somebody wrote something along the lines of “look, it’s my favorite genre: woman dies so man can learn something about himself.” It seemed the perfect description for this film. I decided to see it despite of this, mostly because Jake Gyllenhaal can do pretty much anything. Unfortunately there really isn’t much more to this film than what you can see in the trailer.
Plot: Rob Hall (Jason Clarke) thought he found his niche when he established guided tours up Mount Everest for more or less amateur climbers, but since he started, many others have followed his lead and now base camp is full with groups – one of them led by Scott Fischer (Jake Gyllenhaal). Rob, too, brings yet another group to climb the top, among them journalist Jon Krakauer (Michael Kelly), postman Doug Hansen (John Hawkes), enthusiastic climber Beck Weathers (Josh Brolin) and Yasuko Namba (Naoko Mori) who wants to complete her collection of over 8000m peaks she’s climbed. But the group encounters more than one problem.
I’m not a mountain person. I don’t even understand skiing as a pastime, something people do voluntarily (and I’m fucking Austrian). So the concept of climbing Mount Everest is utterly alien to me. I understand it even less after having seen this film.
Billy Hope (Jake Gyllenhaal) comes from a poor background and out of the foster system, but he has literally fought his way into a good life: he’s a successful boxer, happily married to Maureen (Rachel McAdams) and has a charming daughter in Leila (Oona Laurence). But everything changes when Maureen is shot. Billy falls apart and with him, everything he has fought for: he is banned from fighting, his daughter is given into foster care, he can’t pay his taxes and loses his home. So he has to start from scratch, looking to trainer Tick (Forest Whitaker) for help to get back on his feet, and most importantly to get his daughter home.
Southpaw doesn’t really tell a revolutionary story, but it tells it well. The cast is unsurprisingly excellent and the race angle is surprisingly not awful, so that’s definitely something.