Mija (Seo-Hyun Ahn) lives with her grandfather Hee Bong (Hee-Bong Byun) and with Okja. Okja is a genetically modified breed of superpigs. To see how the animals fare, twelve of them have been placed in various situations worldwide to see what environment suits them best. It turns out that Okja is the winner. That means that they find themselves confronted with nature filmer Johnny Wilcox (Jake Gyllenhaal) who has been sent by the corporation Okja actually belongs to to publicize the result of the contest. But even though Wilcox is not the most charming individual, he quickly becomes the least of Mija’s problems as she has to fight for Okja and their life together.
Okja is sweet and it has a great cast. It has a political message that it puts front and center, but unfortunately that message is muddled at the best of times and incomprehensible at other times. When you make a film that so obviously has something to say, when that something remains that unclear, the entire experience is frustrating and nothing else.
Six astronauts/scientists on the International Space Station study samples that have just been successfully collected on Mars. They hope to find out more about the conditions on Mars, but what they find instead is actually life: a single cell organism that’s either dead or dormant – but it’s there. They can barely contain their excitement, especially when their attempts to revive the organism are actually successful. But they have never encountered a live form like this – and it quickly turns out that it’s more than they bargained for.
Life is a decent, albeit derivative film that works pretty well – at least if you don’t keep comparing it with the Alien franchise it is a little sibling of.
Art gallery owner Susan Morrow (Amy Adams) receives a package in the mail. It contains the draft of her ex-husband Edward Sheffield’s (Jake Gyllenhaal) new novel and the information that he is in town and would like to meet her. Susan hasn’t spoken to him in almost 20 years and she is surprised by the novel and the meeting, but she starts to read the novel that was apparently inspired by her. It tells the story of Tony Hastings (Jake Gyllenhaal) who goes on a roadtrip with his wife Laura (Isla Fisher) and daughter India (Ellie Bamber) – a roadtrip that turns violent when they get into trouble with another car and its passengers.
Nocturnal Animals is a highly polished film that tells a story that goes under the skin. It’s definitely not a film that lets go of you easily, even if not everything about it works without a hitch.
Davis (Jake Gyllenhaal) thought his life was pretty good, but after his wife Julia (Heather Lind) dies in a car accident, he finds that things weren’t all what they cracked up to be: he didn’t really know Julia, and he simply overlooked all the things that weren’t right. In his grief, he writes a letter of complaint to a company filling vending machines, detailing not only that his candy got stuck in the machine, but his entire situation. The customer service rep Karen (Naomi Watts) who reads his letter finds herself intrigued and together with her son Chris (Judah Lewis), they starts playing no small part in Davis’ attempt to first destroy, then rebuild his life.
When I saw the trailer for Demolition for the first time, I was very much reminded of this tweet (that I can’t find anymore) where somebody wrote something along the lines of “look, it’s my favorite genre: woman dies so man can learn something about himself.” It seemed the perfect description for this film. I decided to see it despite of this, mostly because Jake Gyllenhaal can do pretty much anything. Unfortunately there really isn’t much more to this film than what you can see in the trailer.
Plot: Rob Hall (Jason Clarke) thought he found his niche when he established guided tours up Mount Everest for more or less amateur climbers, but since he started, many others have followed his lead and now base camp is full with groups – one of them led by Scott Fischer (Jake Gyllenhaal). Rob, too, brings yet another group to climb the top, among them journalist Jon Krakauer (Michael Kelly), postman Doug Hansen (John Hawkes), enthusiastic climber Beck Weathers (Josh Brolin) and Yasuko Namba (Naoko Mori) who wants to complete her collection of over 8000m peaks she’s climbed. But the group encounters more than one problem.
I’m not a mountain person. I don’t even understand skiing as a pastime, something people do voluntarily (and I’m fucking Austrian). So the concept of climbing Mount Everest is utterly alien to me. I understand it even less after having seen this film.
Billy Hope (Jake Gyllenhaal) comes from a poor background and out of the foster system, but he has literally fought his way into a good life: he’s a successful boxer, happily married to Maureen (Rachel McAdams) and has a charming daughter in Leila (Oona Laurence). But everything changes when Maureen is shot. Billy falls apart and with him, everything he has fought for: he is banned from fighting, his daughter is given into foster care, he can’t pay his taxes and loses his home. So he has to start from scratch, looking to trainer Tick (Forest Whitaker) for help to get back on his feet, and most importantly to get his daughter home.
Southpaw doesn’t really tell a revolutionary story, but it tells it well. The cast is unsurprisingly excellent and the race angle is surprisingly not awful, so that’s definitely something.
Louis Bloom (Jake Gyllenhaal) is smart and hungry for success. All he needs is an in to make his luck. When he witnesses a traffic accident being filmed by a freelance news crew headed by Joe Loder (Bill Paxton), Lou is convinced he has finally found the way to make a whole lot of money. He gets a camera and a police scanner and sets off to capture the perfect image. But with the first success comes the hunger for more and the necessity to blur lines to get everything he wants as quickly as he wants it.
Nightcrawler not only has the amazing Jake Gyllenhaal, but also a smart, insightful script and perfect pacing. It kept me on the edge of my seat the entire time.
It’s Thanksgiving and the Dovers are celebrating with their friends and neighbors, the Birchs. But when the little daughters of both families suddenly disappear, the festivities are quickly interrupted. As Detective Loki (Jake Gyllenhaal) is called, Keller Dover (Hugh Jackman) quickly loses his temper. And when suspect Alex Jones (Paul Dano) is apprehended to be released soon afterwards, Keller decides to take justice into his own hands.
Prisoners has a rather similar theme as Big Bad Wolves, so it’s hard not to compare the two and in that comparison, Prisoners stays a bit behind – but that’s just because Big Bad Wolves was that exceptional. Prisoners is, in fact, a really good movie.
Brian (Jake Gyllenhaal) and Mike (Michael Peña) are LA cops and have been partners and best friends for quite a while. Brian started to take a film class for which he films his daily routine. It consists mostly of gang shootings and drugs. But when they stumble upon a case of human trafficking, they really start to get in the way of the wrong people, namely the Mexican cartel. When Brian and Mike won’t back down, instead keep on making names for themselves, things get even hotter for the two of them.
I really thought that End of Watch would be better than it was. But the plot is all over the place, the format is an ill fit and I just was bored most of the time.
Colter (Jake Gyllenhaal) keeps waking up in a strange body on a train, 8 minutes before said train explodes. He is sent there by Goodwin (Vera Farmiga) and her boss Dr. Rutledge (Jeffrey Wright) to figure out who bombed the train. But at first it seems that the most success Colter is going to have is with fellow train passenger Christina (Michelle Monaghan). But as he gets more confident with his task, we also discover that there’s probably more behind the project than we thought at first.
I loved Source Code – up until the last 10 minutes or so. Everything was going so very well up until then: the plot had me hooked, the performances were great and the premise (while admittedly a bit ludicrous) worked. And then the ending just had me headdesking.