Plot: Henry McAllan (Jason Mitchell) buys a farm in the last corner of Mississippi without discussing it with his wife Laura (Carey Mulligan) who is not thrilled. Nevertheless, they, their children and Henry’s cranky, racist father (Jonathan Banks) make their way there. The farm is being worked on by Hap Jackson (Rob Morgan) and his family who have been tending the land without much hope of ownership for generations. The McAllans and the Jacksons not only have the land in common, though under completely different conditions, but als World War II. Henry’s brother Jamie (Garrett Hedlund) is a soldier as is Hap’s son Roncel (Jason Mitchell). But the racial divide looms large in more than one way.
Mudbound is an excellent film that carries quite a punch and managed to not only not make me hate voice-over, but actually appreciate it. It’s definitely not easy to watch, but it is even more definitely really good.
Plot: Louis (Jason Clarke), Rachel (Amy Seimetz) and their two children Gage (Hugo Lavoie, Lucas Lavoie) and Ellie (Jeté Laurence) move to the countryside, hoping to find a calmer life there. What Louis finds instead is an old pet cemetery in the woods behind their house. A cemetery he has soon use for when the family cat Church is hit by a truck. His neighbor Jud (John Lithgow) advises him to bury the cat there, introducing Louis to the power that is buried there.
Pet Sematary is an okay film that profits from the fact that I saw it right after Hellboy and compared to that film, it was fanfuckingtastic. But it definitely would have profited even more if they had updated the story in certain (racist, ableist) regards.
Plot: Neil Armstrong (Ryan Gosling) and his wife Janet (Claire Foy) just lost their little daughter to cancer, prompting Neil, who also had some professional disappointments, to apply for a new program at NASA. They all move to Houston and Neil starts working on the Gemini project – the most important project in the space race between the USA and the Soviet Union. But it will take a while before Neil and Buzz Aldrin (Corey Stoll) undertake their historic flight to the moon.
First Man is made of excellent parts that nevertheless feels underwhelming as those excellent parts don’t really make for an excellent whole – even if I can’t put my finger on why that’s the case.
Plot: Eric Price (Jason Clarke) is a psychiatrist whose addiction to laudanum is starting to compromise his career. When the heiress to the Winchester rifle fortune, Sarah Winchester (Helen Mirren) asks him to come to her house and prove that she is not insane – despite appearances – he accepts, trying to escape his own life and past. But the Winchester estate, constantly under construction, is not only a weird place, something more is going on there. Something that probably won’t end well.
Winchester is a middling film that builds too much on jump scares and too little on characters. It mostly lives of the house itself and while it is a cool house, it’s not enough for the film they made of it.
Plot: Rob Hall (Jason Clarke) thought he found his niche when he established guided tours up Mount Everest for more or less amateur climbers, but since he started, many others have followed his lead and now base camp is full with groups – one of them led by Scott Fischer (Jake Gyllenhaal). Rob, too, brings yet another group to climb the top, among them journalist Jon Krakauer (Michael Kelly), postman Doug Hansen (John Hawkes), enthusiastic climber Beck Weathers (Josh Brolin) and Yasuko Namba (Naoko Mori) who wants to complete her collection of over 8000m peaks she’s climbed. But the group encounters more than one problem.
I’m not a mountain person. I don’t even understand skiing as a pastime, something people do voluntarily (and I’m fucking Austrian). So the concept of climbing Mount Everest is utterly alien to me. I understand it even less after having seen this film.
Rick (Christian Bale) is a screenwriter living in LA. He moves from party to party, woman to woman. He seems to be looking for something, but who knows for what?
[Actually the first note I wrote down for this film is: “I don’t think I could write a plot description for this film”, so you’ll have to live with that little bit.]
I don’t like Terrence Malick movies. I decided to watch this one anyway because Cate Blanchett! Christian Bale! Natalie Portman! And so many other actors I love. But it turns out that Knight of Cups is everything I hate about Malick movies turned up to 11, while nothing I used to still like about them works for me anymore.
Since the machines have taken over the world, John Connor (Jason Clarke) has been leading the human resistance. To make sure that he can actually do that, John has to make sure that he is actually born as the machines sent a killer back in time to kill his mother Sarah (Emilia Clarke) before she gives birth. So John sends his best friend Kyle Reese (Jai Courtney) in the past as well, giving him specific instructions on how things are. But as Kyle arrives in the past, he finds that it doesn’t actually match John’s memories. So he has to figure out how to navigate this changed past.
After Terminator Salvation, I was prepared for this film to be extra bad. So I packed my trusted bottle of alcohol and steeled myself for atrociousness. But while there could have been a second bottle of alcohol, easy, I found that I was honestly entertained by Terminator Genisys, despite the astonishing amount of stupidity contained within. Or maybe because of it.
In the ten years since the events of the last film, the world has changed a lot. Most of the humans have been eradicated by the Simian Flu, the few survivors struggling to get by. In the meantime the apes have thrived in the Redwood Forest around San Francisco where Caesar (Andy Serkis) built an entire community and refuge for the apes. But now humans have not only returned to San Francisco but also the woods, looking for an old dam and with it, electricity. But can humans and apes ever coexist?
I rather enjoyed the last film, despite some of the more stupid things in it. But this one here was too stupid: it lost me pretty quickly and after it lost me once, there was no going back.
John Cale (Channing Tatum) is a bodyguard and wants nothing more than to work for the Secret Service and on the protection detail of the president Sawyer (Jamie Foxx). Especially because his daughter Emily (Joey King) is a huge fan of the president. So when John actually gets an interview in the White House, he takes Emily with him. Unfortunately this just happens to be the day where the White House and the president are attacked. Suddenly everything depends on John.
It is hard to not compare this film to Olympus Has Fallen. And White House Down is the clear winner in that comparison. I didn’t even have alcohol and I enjoyed pretty much every second of it, even if not everything was supposed to be as funny as it was.
Nick Carraway (Tobey Maguire) decided to get into the bond business. He moves into a little house just outside of New York and reconnects with his cousin Daisy (Carey Mulligan) who lives nearby after getting married to Tom (Joel Edgerton) who comes from a whole lot of old money. Nick’s next door neighbor is a man called Gatsby (Leonardo DiCaprio), who is filthy rich as well, but from new money. Gatsby celebrates grand parties every weekend. When Nick is invited to one, he finds out that Gatsby and Daisy are somehow connected.
Unfortunately I didn’t love the movie as much as I loved the book. It wasn’t that bad but there were also a few issues, making the movie work only half of the time.