Ferdinand (Colin H. Murphy) is the son of a famous fighting bull and is expected to follow in his father’s footsteps. Or rather hoofsteps. But nothing could be further from Ferdinand’s mind: he is more interested in smelling the flowers, bringing him the scorn from the other young bulls. Ferdinand grows up (John Cena) into a formidable bull and as luck would have it, he gets stung by a bee, causing him to go on a rampage that brings him directly to the matador academy to train as a fighting bull.
Ferdinand is a sweet film that works hard to dismantle toxic masculinity in a way that makes sense for kids – and it does so quite admirably.
The Millers – Aaron (Jeremy Sisto), Beth (Kate Ashfield), Marley (Ryan Simpkins) and Max (Ty Simpkins) – return from their holidays and find their house broken into and left in a mess. They call the police and despite the trepidation such a break-in causes, they settle back into their routine, hoping that the culprit will soon be caught. But there seems to be no sign of him. Little do they know that he might be much closer than they could ever suspect.
Hangman was an absolutely creepy film that completely worked for me despite some clichéd bits and a couple of lengths.
Five men wake up one by one in a locked warehouse. None of them can remember who they are or how they got there. The first to wake up is Jean Jacket (Jim Caviezel). As he looks around he sees a guy with a broken nose (Greg Kinnear), one tied to a chair (Joe Pantoliano), one handcuffed to a rail in obviously very hurt (Jeremy Sisto) and one apparently simply passed out (Barry Pepper). While everybody else is still out cold, Jean Jacket wanders around and receives a phone call through which he fakes his way through. But it is obvious that something shifty is going on and Jean Jacket and everybody else have to figure out what it is and what side they’re on.
I started this movie under the impression that I hadn’t seen it before, but about five minutes in I realized that I had, actually. I couldn’t remember practically anything about it, though – it’s that kind of a movie.
Cher (Alicia Silverstone) is a rich LA teenager whose life revolves around her clothes and her friends, most of all Dionne (Stacey Dash). When Cher gets bad grades in her debate class, she decides to set up two of her teachers – Mr Hall (Wallace Shawn) and Miss Geist (Twink Caplan). And since she enjoys playing the matchmaker, she decides to set up the new girl Tai (Brittany Murphy) as well.
I love this movie so much, I can’t even tell you. This migh taint my judgment, but I think it’s pretty much perfect – funny, intelligent and sweet. The only fault I can find with it is that it doesn’t credit Austen at all. [It’s just different enough to not make it completely indecent, but still.]
I just watched Waitress. Now that is a happy feeling film. You know, one of those that leave you with this warm, fuzzy feeling in your belly and make you smile uncontrolably…
Adrienne Shelly was not only a good director (I especially liked the scenes where Keri Russell aka Jenna always has the same facial expression during five or so different takes), she also was a very good writer. The dialogues are beautiful, funny and witty. Do I need to say more than: “I was addicted to saying things and having them matter to someone.”?
There are some actors I like and am always kind of glad to see, although they mostly chose crappy movies and/or roles to play and this movie had two of them: Jeremy Sisto (ever since Clueless) and Nathan Fillion (ever since Buffy). It was nice to see them doing a good film for a change.