Plot: Esther (Alice Isaaz) and her sisters Justine (Déborah François) and Abigaëlle (Maryne Bertieaux) live with their parents Madeleine (Constance Dollé) and Edmond (Bruno Todeschini) who came from France to find a new life in America. But now that the Civil War is looming, perhaps it would be better, safer for them to return to Paris. But they have to cross the continent first, a dangerous journey for which they hire Victor (Kevin Janssens) as protection and guide. They pack their things and are joined by their maid Layla (Armelle Abibou) for the trek. But soon Victor’s past starts catching up with them in the form of Bettie (Kate Moran), spelling more danger for all of them.
Savage State was announced as a feminist take on the Western genre and, well, it definitely is a Western, but everytime it tried for feminist, things became patently absurd. That it tries at all, though, is probably the only thing that sets it apart from other – and much better – films. I didn’t get anything from it.
Plot: Anne (Vanessa Paradis) produces gay porn together with her lover and editor Lois (Kate Moran). But Lois isn’t happy anymore with their life and she leaves Anne. Anne tries to win her back by making a new, ambitious movie with Archibald (Nicolas Maury) whom she has worked with a lot already. But a killer is making his way through the gay community and he kills two of Anne’s stars as well, drawing her into the investigation that becomes ever stranger.
Un couteau dans le coeur is a neo-giallo or at least a tribute to the old ones. I, personally, am not really a fan of giallos. Usually they just pass me right by. But I have to say that this film worked very well for me and left a very lasting impression.
After an aborted attempt to work abroad, Ana (Salomé Richard) returns home to Strasbourg with the summer stretched ahead of her. She starts to renovate her grandmother’s (Claude Gensac) bathroom just to have something to do, while trying to figure out her life. Which, as usual, is easier said than done. As she reconnects with old and new friends, things don’t necessarily become any clearer for her.
Baden Baden wasn’t great, but it was far from bad. But it’s not a film that touched me particularly deeply or will stay with me for a long time.