Mao (Pia Hierzegger) inherited an old hotel from her uncle and decides to run it together with her friends and band mates Max (Michael Ostrowski) and Jerry (Gerald Votava). They want to make it a hotel with a rock theme and lifestyle. Meanwhile Schorsch (Georg Friedrich) just happens to crash into the hotel pond after robbing a bank, which brings Schorsch’s business partner Harry (Detlev Buck) to the hotel. Since Harry owns a big hotel in the area, he would like nothing more than to take over the hotel from Mao, but she won’t give up that easily, despite everything.
Hotel Rock’n’Roll was entertaining and fun. Although it didn’t manage to blow me away, it definitely had its moments.
A spanish drugdealer forgot a bag in Poland, so he asks his partner/employee Harry (Detlev Buck) who works in Vienna to retrieve it for him. Harry passes on the job to Schorsch (Georg Friedrich) who in turn asks Mao (Pia Hierzegger) because he wants to watch the 24 hour Le Mans race. But Mao has to babysit, so she sends Max (Michael Ostrowski) and Johann (Raimund Wallisch) to do it instead. But those two can’t necessarily be trusted, and Harry is anxious to see the bag home safe and sound. While Max and Johann think of the entire thing as a nice adventure and an excellent opportunity to make some much-needed cash, Harry convinces Schorsch to follow them and make sure that they fulfill their mission.
Contact High is often funny and sometimes stronger than Nacktschnecken, but for the most part it’s clearly weaker.
Johann (Raimund Wallisch), Max (Michael Ostrowski) and Mao (Pia Hierzegger) are constantly looking for opportunities to make a little money. While Johann works as a postman, Max simply dreams and Mao occasionally sells drugs. Through that work she meets Schorsch (Georg Friedrich) who tells her that the easiest way to make some money is to shoot a porn film. Inspired by that, Johann, Max and Mao jump at the chance. They find two women (Iva Lukic, Sophia Laggner) willing to participate, grab a camera and get going. But maybe shooting a porn isn’t quite as easy as they imagined.
Nacktschnecken is a fun film without much pretense at anything else than wanting to be fun. While I couldn’t go along with it all the time, I did enjoy it most of the time.
Das Vaterspiel tells the intertwined history of three families during and after WW II. Ratz [translates to rat] (Helmut Köpping) is struggling with daddy issues – his father (Christian Tramitz) is a successful politician and quite overwhelming in his presence. To get over this, Ratz developed a computer game, where he can kill his father over and over again and which he tries to market unsuccessfully. When Ratz gets a call from the mysterious Mimi (Sabine Timoteo), whom he used to study with, to come to New York and help her with the rebuilding of her cellar, he grabs the chance and leaves. Once there, though, he discovers that Mimi is hiding her grandfather (Otto Tausig) in said cellar. The grandfather fled Europe after the Nazis were overthrown and fears persecution.
This story is intercut with the interview of a man (Ulrich Tukur) telling his family’s story in Lithuania during the war and how his father was killed.
Josef Haslinger is one of Austria’s leading literary figures and Michael Glawogger one of the most renowned Austrian directors. So I expected a lot from this movie (without having read the book itself). Unfortunately, I was gravely disappointed. The movie is unfocused, the acting (with the exceptions of Ulrich Tukur and Otto Tausig) is sub-par, the casting sucks and the story is just plain bad.