Tom (Michael Shannon) and his wife Ramina (Azita Ghanizada) expect guests for dinner. Ramina is a jewelry designer who has recently been accepted into a design program across the country. Tom is ambivalent about moving and leaving his work behind. But before they can fight about this (again), their guests arrive and interrupt. Among them is Tom’s co-worker Clyde (Michael Chernus) who brought a date – the lovely Alice (Rachel Weisz). Michael is sure he knows Alice, but refers to her as Jenny. Her sudden re-appearance in Tom’s life throws him for a loop.
From the description I expected Complete Unknown to be an entirely different film, a thriller, something dramatic, dark and tension-filled. Instead I got a dialogue-driven rumination on identity. It wasn’t bad by a long-shot, but I did feel a little disappointed by that as the turn to darkness never came. Fortunately not for long, though.
Hester (Rachel Weisz) is married to William (Simon Russell Beale), but left him because she fell in love with Freddie (Tom Hiddleston). Now the two of them are kind of living together, but actually it’s more like they are continuously tearing themselves apart. It gets so bad that Hester tries to kill herself, which leads the three of them to finally confront the situation they find themselves in.
I already liked the film the first time round, but it was even better to watch it a second time. It’s fascinating to see myself reacting differently to the film again (it’s not been that long that I saw it for the first time) and to see the film again with new eyes.
Tom (Michael Fassbender) has signed up to be the lighthouse keeper on a small island just off the coast of a small town in Australia. On the rare occasions that he gets to come to the main land and see people, he meets Isabel (Alicia Vikander) and they quickly fall in love. Isabel is happy to lead the solitary lighthouse keeper life with Tom and would love nothing more than a baby. Much to her chagrin, she keeps miscarrying though, so it feels like fate when a boat with a baby washes up on their island during a storm. Tom only wants to see Isabel happy, so he agrees to keep the child. But when they hear of Hannah (Rachel Weisz) whose husband and child were lost during the storm, they will have to make a decision.
The Light Between Oceans is one of the cheesiest films I ever saw. It’s high-quality cheese, no doubt about it, but it was all a little too much for me, ultimately keeping me at a distance.
David (Colin Farrell) was recently divorced. As a single person, he has to check into the Hotel and find a new suitable partner in 45 days. If he doesn’t, he will be turned into an animal – like his brother was turned into a dog – and if nobody is there to take him in, he will be set loose in the woods surrounding the Hotel. So David tries to find somebody who is like him, but that’s easier said than done.
My history with Lanthimos’ movies has been mixed so far but The Lobster might be his best film yet. It’s certainly his most accessible film, although it is still very, very weird and not easy to get into, and my personal favorite.
Fred (Michael Caine) is on holiday in a Swiss resort with his best friend Mick (Harvey Keitel). Mick is trying to write his latest screenplay, supposed to be his big oeuvre, together with a group of young writers. Fred is just trying to get some peace and quiet, when an emissary (Alex Macqueen) from the Queen of England approaches him to ask him to conduct his most famous symphony for Prince Philipp’s birthday, much to the surprise of the emissary and Fred’s daughter Lena (Rachel Weisz). Lena comes to visit but stays longer than planned when her husband and Mick’s son Julian (Ed Stoppard) announces that he’s leaving her.
I was very reluctant to see Youth. I was afraid that the film would be all about a couple of old guys olging young women (the poster suggests nothing different). Fortunately the lusting was kept to a minimum and there was a lot about the film that I enjoyed. It won’t become my favorite film ever, but it was far from as bad as I expected.
Stephen (Mark Ruffalo) and Bloom (Adrien Brody) are broterhs and con artists. They are working together with Bang Bang (Rinko Kikuchi) and have successfully pulled off quite a few heists already. But Bloom has grown weary of their work. He quits, only to be hauled back in by Stephen for one last job. Their target: Penelope (Rachel Weisz), incredibly rich, very weird and beautiful. Even though it goes against his instincts, Bloom agrees to go along with it as he’s intrigued by Penelope. But things keep twisting and turn out quite differently than originally planned.
The Brothers Bloom is fun and especially with Penelope they created such a wonderful character that you can’t help but love it all. It’s a really nice, entertaining film.
Oz (James Franco) is a second rate magician in a small travelling circus and a great womanizer. When he gets into trouble for sleeping with the wrong woman, he flees in a balloon, but ends up caught in a tornado. When the wind calms down, Oz is – surprisingly – still alive and finds himself in the magical country of Oz. He is greeted by Theodora (Mila Kunis), a beautiful witch, who tells him that his arrival has been prophesized and he needs to save the land from the evil witch. Oz takes on the challenge because there seems to be money on the horizon, plus a chance to get into Theodora’s pants. But it turns out that there is more to the story than that.
I have so many issues that I’m surprised I managed to enjoy Oz the Great and Powerful at all. But enjoyment was had, though the issues outweigh it by far.
Rick (Brendan Fraser) and Evy (Rachel Weisz) are still working as archeologist, though by now they are bringing their 8-year-old son Alex (Freddie Boath) with them. When they stumble upon the bracelet of Anubis that is connected to the legend of the Scorpion King (Dwayne Johnson), they soon discover that they aren’t the only ones after it. In fact, it’s again re-awakened Imhotep (Arnold Vosloo) who plans on using the bracelet. And that’s just the beginning of their troubles.
[I actually thought that I had already seen this film when it came out, but it turns out, I haven’t. Oh well.]
The Mummy Returns was a lot more entertaining than a sequel actually has any right to be. But I’m not complaining – it was again really enjoyable.
Rick (Brendan Fraser) is in the Foreign Legion, stationed in Egypt. He is working at an archeological dig in the city of Hamunaptra, but things turn sour – not only is he attacked and arrested, but he and his dig also manage to wake the mummy Imhotep (Arnold Vosloo). Gambler Jonathan (John Hannah) gets his hands on the map to Hamunaptra and sparks his sister Evy’s (Rachel Weisz) interest, a librarion who knows her ancient Egyptian stuff. They pick up Rick and their search for treasures leads them straight back to the mummy.
I remembered The Mummy being basically the epitome of a fun romp – and the re-watch absolutely confirmed those memories. It’s fun, it’s silly, it’s entertaining and Rachel Weisz rocks.
Kathryn (Rachel Weisz) is a cop who lives for her job. That even cost her her marriage and the custody of her daughter. Now her ex-husband is moving away and Kathryn can’t get a transfer to move after her daughter. So she takes up an offer to go to Bosnia and work for the UN there (through a private contractor). What at first was only supposed to be a way to get a lot of cash fast, turns into much more when Kathryn realizes that there is a lot of sex trafficking going on – and that the people she works with are deeply involved.
The Whistleblower is a hard film. It’s the kind of film that makes you want to not live in this world. It’s excellently made and depressing as hell, especially since it is based on a true story and only has a semi-positive ending. But I do think it is important that you watch it. Just bring chocolate and friends and rainbows.