Plot: Harry Rawlings (Liam Neeson) has made a career out of being a thief. Together with his crew Carlos (Manuel Garcia-Rulfo), Florek (Jon Bernthal), and Jimmy (Coburn Goss) he sets out to do another job – but this time things go wrong and they all die. Harry’s wife, now widow, Veronica (Viola Davis) who never knew much about his career, finds herself being pressured by Jamal Manning (Brian Tyree Henry) to whom Harry owed money. Not knowing what else to do, Veronica gets in touch with the other widows – Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Amanda (Carrie Coon) and tries to convince them to pull off a heist themselves.
Widows was a pretty good and more than usual complex heist film, but I’m afraid that my expectations were a little too high – it just wasn’t as good as what I’ve come to rely on in a Steve McQueen film.
Jim (Nat Wolff) just joined a political party who’s goal it is to empower workers. There he meets the charismatic and politically experienced Mac (James Franco) who takes him under his wing. Together they make their way to a fruit plantation where they hope to instigate a strike without the workers noticing that that’s what they came there to do. When they hear about a case where a plantation owner (Robert Duvall) reduced the workers’ pay from 3 to 1 Dollar, they know they have their in.
In Dubious Battle profits from Steinbeck’s strength as a writer and an absolutely stellar cast that makes the film worth seeing even though Franco directing Franco is not the best thing to ever happen.
Hank (Robert Downey Jr.) fled from his hometown and his harsh, strict father (Robert Duvall), a well-respected judge, as soon as he was able to and never returned. Now a successful lawyer, Hank finally has to make the trip back home after his mother dies. But practically as soon as he arrives, his father becomes a murder suspect, forcing Hank to stay longer and not only confront his feelings about his father, but also his two brothers Dale (Jeremy Strong) and Glen (Vincent D’Onofrio), and even his old girlfriend Samantha (Vera Farmiga).
I wouldn’t have thought it possible that a film with that cast could ever bore me – because if all else fails, there’d still be this brilliant cast to watch – but thanks to a really bad script and uninspired direction, the film managed just that.
After a sniper shoots 5 people, the police quickly identify and arrest a possible suspect: ex-soldier Barr (Joseph Sikora). Barr doesn’t say a word, but to request Jack Reacher, a former military investigator who disappeared a while back. The police and the DA Helen Rodin (Rosamund Pike) are stunned by that request, and even more suprised when Reacher (Tom Cruise) turns up himself. He saw a news report on Barr and having investigated him before, he wanted to make sure that he is put behind bars this time. But Barr’s request makes him doubt his guilt, so Reacher starts to dig deep.
Jack Reacher really moves through all shades of horribleness. There is “just horrible”, there is “so horrible, it’s hilarious” and then there’s “so horrible I just wanna cry.” Unfortunately, it spends the least time in the second category.
A man (Viggo Mortensen) and a boy (Kodi Smit-McPhee) make their way through a post-apocalyptic landscape. All the plants and animals have died, it’s cold and dirty and they are hungry and all alone. But a promise the man made to his wife (Charlize Theron) keeps them going, trying to reach the coast.
The Road is a good movie with some faults. It lacks the claustrophobic intensity of the original but replaces them with great cinematography and generally good performances.
Bad Blake (Jeff Bridges) once was a very successful musician, but since then, he’s become an alcoholic first and a musician second. By chance he meets Jean (Maggie Gyllenhaal), a young music journalist, and he falls in love with her. Jean is cautious because of his alcoholism, but lets him into her life – and the life of her son. At the same time, Bad gets the chance to get back on stage with his former pupil, Tommy Sweet (Colin Farrell). Life seems to go up for Bad, but things have to get worse, before they can get better.
Crazy Heart is an excellent film in some parts, in others, not so much. The performances were great but I felt like the script focussed on the wrong things. The music was wonderful, but the climactic final song was, strangely enough, not the best song.