Mija (Seo-Hyun Ahn) lives with her grandfather Hee Bong (Hee-Bong Byun) and with Okja. Okja is a genetically modified breed of superpigs. To see how the animals fare, twelve of them have been placed in various situations worldwide to see what environment suits them best. It turns out that Okja is the winner. That means that they find themselves confronted with nature filmer Johnny Wilcox (Jake Gyllenhaal) who has been sent by the corporation Okja actually belongs to to publicize the result of the contest. But even though Wilcox is not the most charming individual, he quickly becomes the least of Mija’s problems as she has to fight for Okja and their life together.
Okja is sweet and it has a great cast. It has a political message that it puts front and center, but unfortunately that message is muddled at the best of times and incomprehensible at other times. When you make a film that so obviously has something to say, when that something remains that unclear, the entire experience is frustrating and nothing else.
Twenty years after the events of Trainspotting, the now clean Mark Renton (Ewan McGregor) returns to Scotland for the first time. He wants to see his family and to catch up with Spud (Ewen Bremner) and Simon (Jonny Lee Miller), though he’d rather not see Begbie (Robert Carlyle). He suspects that Begbie is still very angry with him from when he left. Simon is angry, too, but once they get over the inital anger, they are back to making plans of how to make their lives more than it is. But the past can’t be left behind that easily.
T2 Trainspotting captured most of the mood of Trainspotting perfectly, although it does lack some of the inescapable energy of the first one. That being said, I’m very content with this sequel so many years later.
Renton (Ewan McGregor), Sick Boy (Jonny Lee Miller), Tommie (Kevin McKidd) and Spud (Ewen Bremner) are friends. At least as much as you can be friends with anybody you share a heroin addiction with. And don’t necessarily like each other all that much. As they tumble through Edinburgh, alternatively looking to buy the next hit and to kick the habit altogether, their paths cross with the same people over and over again, people like the violent Begbie (Robert Carlyle). They all struggle with their own problems but at least they are not stuck in the wheel of capitalism. Or that’s what Renton tells himself.
It’s been many years since I saw the film (although some images have burned themselves into my retina, they are that present in my head). Re-watching it now, I’m still very much taken with it. It’s a really great film, despite a couple of weaknesses.
Bridget (Renée Zellweger) is in her early 40s now, still single, still childless and she’s just been to the funeral of her ex Daniel where she met her other Ex Mark (Colin Firth) who is married now. So it’s a good thing that she’s focusing on her career, even though things aren’t entirely problem-free there. So Bridget needs a break and she catches not one, but two in short succession: First she meets the handsome Jack (Patrick Dempsey) and sleeps with him and then Mark tells her that he’s actually getting divorced and the two reconnect. In bed. But things will never be easy for Bridget: it turns out that she’s pregnant and she really doesn’t know who the father is.
It’s been many years that I saw the first two movies, but I remember them very fondly. And Bridget Jones’s baby was a very worthy successor: superfunny and very sweet.
The Queen of Longtrellis (Salma Hayek) is desperate to have a child with her husband (John C. Reilly). But so far, all their attempts were unsuccessful. Yet another magical attempt finally brings the wished-for results, but at a price. In the meantime the King of Strongcliff (Vincent Cassel) has pretty much fucked everyone around him. But when he hears the sweet singing of a maid, he immediately falls in love. Only that the girl doesn’t want to show herself. In a third kingdom, the King of Highhills (Toby Jones) has a rather unusual pet that takes away his attention from his daughter Violet (Bebe Cave) who is waiting to be married.
Il racconto dei racconti is an adaptation of 17th century fairy tales and as one can imagine, things are not necessarily for the faint of heart, nor are they very friendly to women. But Garrone crafted an entertaining, visually stunning film from them in any case.
Bruce Robertson (James McAvoy) is every bad stereotype of a police man: he’s a misanthropic, sexist, racist, power-obsessed asshole who is supposed to investigate the death of a Japanese tourist. Instead he’d rather think about how to get the promotion to Detective Inspector, even though he doesn’t actually like doing his job. But Bruce is not only an asshole, all is not right with him in general. As his convoluted intrigues become ever more complicated, his mental state continues to deteriorate.
Filth isn’t always easily stomached and the ending didn’t blow me away, but other than that I really liked it. It was well-made, well-acted and kept you on the edge of your seat.
Plot: Paul Raymond (Steve Coogan) makes his money with nightclubs, stripping, erotic dancing – basically women taking their clothes off. And he makes a lot of it, despite the controversy around his job. His wife Jean (Anna Friel) is fully supportive – until Paul leaves her to be with Amber (Tamsin Egerton) and fully enjoy the party lifestyle. While Jean goes to the US with their son, Paul’s daughter Debbie (Imogen Poots) wants to follow in Paul’s footsteps as he continues to build his naked women emporium.
The Look of Love has a good cast but it has serious issues with focussing on the story they want to tell. It’s still rather entertaining, but it really didn’t blow me away.
A small group of settlers turn from the Oregon Trail to take a shortcut, led by the grandtalker Meek (Bruce Greenwood). When their water starts to run out in the middle of the desert, they don’t really know what to do and neither does Meek. But they notice that there is a Native American (Rod Rondeaux) following them. After Emily (Michelle Williams) makes first contact with him, they both run off. But the men decide that he should lead them to water and capture him.
After Wendy and Lucy*, I expected a lot from this film. So much that I watched it, even though I really couldn’t care less about the genre itself, actually. Unfortunately, I was disappointed. I had to fight to stay awake several times and was generally pretty bored.