Tomas (James Franco) is trying to write his newest book. That attempt includes staying in a trailer on a frozen lake and hours of driving around the countryside, leading to more than one fight with his girlfriend Sara (Rachel McAdams). On one of his drives, Tomas hits and kills a little boy, which leaves both him and the boy’s mother Kate (Charlotte Gainsbourg) and brother Christopher (Jack Fulton/Philippe Vanasse-Paquet/Robert Naylor) reeling. Will every thing ever be fine for them again?
Every Thing Will Be Fine is a calm, beautiful movie that manages to be completely intimate, despite spanning several years and some rather difficult topics. I really loved it.
Oskar’s (Thomas Horn) father (Tom Hanks) recently died in the 9/11 attack. Oskar has a hard time coping with it, when he stumbles upon a mysterious key in an envelope with the name “Black” on it in his father’s closet. Oskar decides that he has to find out more and the only logical way to go about it is to talk to every person called Black in New York. So he takes the phone book and starts to visit all of them.
The film is one of the most emotionally manipulative movies I have ever seen. Ever. And I still would have liked it a whole lot, if I hadn’t read the book. But in comparison, the film just leaves a small taste of disappointment.
Stephen (Ryan Gosling) is one of the PR guys for Governor Mike Morris (George Clooney) who is running for president. Even though Stephen is young, he is rather experienced and his career is definitely on the rise, while at the same time he managed to retain some idealism. He honestly believes in Mike. Mike’s campaign manager Paul Zara (Philip Seymour Hoffman) is the experienced, jaded counterpoint to his idealism. But even though they make a very good team, things in politics are never easy and only get trickier.
I was a bit worried since I’m usually quickly bored by these politics plots. I’m just not that interested. But the cast is an absolute dream come true, and Clooney really is a very talented director, so I still had hope. And my hopes were completely justified. It’s a brilliant film.
Prince Albert (Colin Firth) has a stutter. His wife Elizabeth (Helena Bonham-Carter) is very supportive and together they’ve tried almost every doctor. Finally, Elizabeth turns up Lionel Logue (Geoffrey Rush), a failed actor who tries unconventional methods. Albert is hesitant about the whole thing but since his father King George V (Michael Gambon) grows older and weaker and his brother David (Guy Pearce) is unreliable and uninterested, he decides to go for it anyway.
The King’s Speech is an excellent film, with an amazing cast and a very good script (by David Seidler). The set and costume design was brilliant, too. I just didn’t like the camerawork very much.
Ewedown is a town in the middle of nowhere in England. In this town live the Hardiments. Nicholas (Roger Allam) is a successful writer, Beth (Tamsin Greig) runs the farm and on said farm, a writer’s retreat. They have if not exactly peace at least a constant routine. When the neighbor’s daughter Tamara (Gemma Arterton) returns after becoming a journalist and having a very advantageuous nose job done, things get shaken up quite a bit though.
I really liked Tamara Drewe. Though it may not be the best thing Stephen Frears has ever done, it was an entertaining, enjoyable romp with a good cast and good writing.
[Hell, if you don’t know what Harry Potter is about, you might not want to start here. Anyway.]
Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) leave school to find and destroy the horcruxes that keep Voldemort (Ralph Fiennes) alive. But the search is more difficult and dangerous than they anticipated.
I’ve said it before, I’ll say it again: I think both the books as well as the movies have reached their peak with number four (though The Prisoner of Azkaban is a close second). HPatDH1 did nothing to change my point of view on that. The pacing’s bad, the direction is worse and there’s no reason to drag this out in two films, since nothing really happens in this one anyway.
Belle Epoque in France. The ageing courtesan Léa (Michelle Pfeiffer) just ended her latest relationship and is considering her lifestyle: Is it really still necessary to do her job? What else would she do? It’s at that point that her best friend Madame Peloux (Kathy Bates) facilitates a meeting between Léa and Peloux’s son, Chéri (Rupert Friend). Chéri kind of ambles through life and doesn’t really know what to do with himself. His mother thinks that a relationship between him and Léa should be part of his education. And even though Lea is that much older than Chéri, things seem to work out perfectly.
Chéri surprised me. I didn’t expect much (I seem to have read only the bad reviews) but I got a delightful film with wonderful Wilde-esque dialogue, perfect performances, beautiful costumes and a great score (by Alexandre Desplat). It may not be the movie of the year, but it’s really good.