Plot: Tom (Thomasin McKenzie) and her father Will (Ben Foster) live in the great forest of a state park. Their life isn’t exactly easy, but they are happy with the way things are, surviving mostly of the land. It’s just that it is actually isn’t legal to live in a state park. And Tom should probably be in school. So when they get spotted, their lives are quickly turned upside down.
Leave No Trace is a quiet, touching film that tells its actually devastating, realistic story with such a calm attitude that you’re able to breathe and work through the trauma along with the characters.
Arthur Bishop (Jason Statham) is a contract killer, the best there is. Even when his next assignment is his mentor and best friend Harry (Donald Sutherland), he only waits to see the evidence that Harry is guilty until he kills him. Yet, afterwards he takes on Harry’s son Steve (Ben Foster) as an apprentice, despite all his doubts about Steve as a person and social proximity in general, and teaches him everything he knows.
I completely missed that a sequel to this film was coming, so when I saw the posters for that, I was all excited and decided that I really needed to re-watch the first film – and then I missed the sequel because they didn’t show it at decent times in the original version and how can I watch a film with the Stat without hearing his voice? Does not work. In any case, watching The Mechanic a second time is as entertaining as watching it the first time, which is to say: very.
The orc world is being killed by evil fel magic, that slowly drains the life force of the entire planet. That’s why the warlock Gul’dan (Daniel Wu) creates a portal to the human world of Azeroth: he and his army plan to take over Azeroth for themselves. Among his generals is Durotan (Toby Kebbell) and his mate Draka (Anna Galvin) who risks the journey despite being pregnant; and as a translator they have the slave Garona (Paula Patton) who has the gift of languages. Meanwhile the humans of Azeroth are unsuspecting of the threat to their world. Only Khadgar (Ben Schnetzer) who used to study to become a mage notices the signs of fel magic use and warns King Llane Wrynn (Dominic Cooper). The King sends Khadgar and his own brother Anduin Lothar (Travis Fimmel) to find the mage and protector of the realm Medivh (Ben Foster) to ask for his help.
Warcraft really didn’t get much good buzz before its release, so I did not expect much of it, I have to admit (although I was hopeful due to Duncan Jones). But to my surprise I actually quite liked it, although it does suffer from the fact that it really is only one big piece of set-up and not a finished story.
Journalist David Walsh (Chris O’Dowd) is impressed by newcoming cyclist Lance Armstrong (Ben Foster), but Lance’s career doesn’t quite take off. But Lance has the will to win. When he realizes that doctor Michele Ferrari (Guillaume Canet) has a special program – which consists of doping, among other things – Lance wants in on it. Ferrari declines at first but when Lance loses a lot of weight due to testicular cancer, Ferrari does see a viable candidate in him after all. Lance starts on the program, but Walsh grows suspicious of his incredible success and decided to investigate.
I couldn’t care less about cycling and I think doping is just stupid. These are not exactly the best starting points for watching the film and might explain the lengths I felt in an otherwise excellent movie.
Plot: Allen Ginsberg (Daniel Radcliffe) gets a place of university and isn’t unhappy to get away from home, where his mentally ill mother (Jennifer Jason Leigh) makes his life difficult, the relationship with his father (David Cross) is strained. At university, Allen meets Lucien Carr (Dane DeHaan) and is immediately fascinated by him and his reckless lifestyle. Lucien introduces him to David Kammerer (Michael C. Hall), William S. Burroughs (Ben Foster), Jack Kerouac (Jack Huston) and Jack’s wife Edie Parker (Elizabeth Olsen). Allen realizes that something strange is going on between Lucien and David, but is swept up in the anarchistic energy that envelops Lucien, William, Jack and him. But the harmonious and fun beginnings soon give way to difficulties and tensions.
I am still a little undecided about this film. The cast is really good, the story is interesting and it’s all packaged into a film that is mostly fine but lacks something I can’t put my finger on.
Blanche DuBois (Gillian Anderson) comes to visit her sister Stella (Vanessa Kirby) in New Orleans. The two of them come from a family of plantation owners who have been slowly but steadily going bankrupt. Now their plantation (Belle Reve) is gone and Blanche, who has always been a nervous type, is falling apart due to her alcoholism and the fact that she can’t really deal with her growing age and fading looks. Stella is happy to see Blanche, but Stella’s husband Stanley (Ben Foster), a factory worker, doesn’t trust Blanche or her story about how Belle Reve was lost. Blanche herself is shocked about the circumstances Stella lives in. As Blanche’s and Stanley’s worlds collide, something has got to give.
I love A Streetcar Named Desire. It really is one of my favorite plays. And because I love it so much, I have high expectations and a clear image of what the play should be like. Unfortunately, Benedict Andrews did not fulfill them.
It’s 1999 in LA. Dave Brown (Woody Harrelson) is a cop who lives for his job and does not care so much about his methods as long as things get done. He lives with his two ex-wives, Barbara (Cynthia Nixon) and Catherine (Anne Heche), who also happen to be sisters, and his two daughters (one with each ex-wife) which goes surprisingly well, even though Dave drinks too much and spends most of his spare time looking for the next lay. After he gets filmed savagely beating a suspect, Dave’s live and job start crumbling around him.
Apart from the camera work, the movie was really good. Cast, pacing, characters and story really come very well together in this. Even though I don’t go for the cop dramas that much, this one was just very good.
Starting with a whore Mirka (Lucia Siposová) and her pimp Rocco (Johannes Krisch) in Vienna, 360 moves through various stories that are all somehow connected. From Paris to London and Denver it takes a look at the various kinds of relationships, infidelities and betrayals.
360 is a bit uneven. It has a good cast and some of the stories work perfectly, while others are bland or don’t fit. In short, it just doesn’t really come together.
Chris (Mark Wahlberg) used to be a smuggler (and a damn good one). But when he got a wife (Kate Beckinsale) and kids, he quit. Unfortunately, his brother-in-law Andy (Caleb Landry Jones) isn’t as smart or as good a smuggler and so he gets into trouble with Briggs (Giovanni Ribisi) who hired him to smuggle drugs Andy promptly had to dump. Briggs threatens Chris and his family and pressures him into a job. And so Chris and his best friend Sebastian (Ben Foster) get their old group together to get counterfeit money into the country.
Contraband is so formulaic, it practically becomes its own archetype. Unfortunately that’s the only thing that stands out about the film.
Arthur Bishop (Jason Statham) is a contract killer, the best there is. Even when his next assignment is his mentor and best friend Harry (Donald Sutherland), he only waits to see the evidence that Harry is guilty until he kills him. Yet, afterwards he takes on Harry’s son Steve (Ben Foster) as an apprentice and teaches him everything he knows.
The Mechanic is everything it promised to be: a rather violent, well-paced and pretty mindless action flick with good looks (Statham*), talent (Foster) and ham (Sutherland). An evening’s worth of perfect entertainment.
[*teashoe, I can just about imagine your face when I say that Statham is good-looking. :P]