Plot: Amy (Kate Lyn Sheil) is convinced that she is going to die tomorrow. This knowledge leaves her a mess. When she tries to tell her friend Jane (Jane Adams) about it, Jane seems to get infected by Amy’s knowledge and grows convinced herself that she will die, too. And no matter who they tell about it, the knowledge just spreads, opening emotional abysses.
She Dies Tomorrow takes the age-old question of “what would you do if you knew that you’ll die tomorrow?” and gives a sobering, slightly depressing, but not unrealistic answer. I thought that it was an interesting one, but the film is a little uneven.
Plot: Harley Quinn (Margot Robbie) was just broken up with and she’s not dealing all too well with the Joker’s rejection. As she parties her way through the heartache, she keeps the break-up under wraps, at least for a while. When she finally is able to admit to the break-up herself, she decides that a public statement is in order. What she didn’t consider, though, is that it would mean that half of Gotham city believes her to be an easy target now. Very quickly, Harley finds herself in the crosshairs of pretty much everybody, above all Roman Sionis (Ewan McGregor). To save her own skin, Harley gets involved with the search for a diamond for Sionis and things get even more complicated from there.
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is an absolutely fantastic film. It’s funny, has great characters, awesome action and looks gorgeous. It immediately became one of my favorite superhero movies.
After an accident Claire (Jennifer Aniston) is in chronic pain, bitter and lonely. Her only points of social contact are her housekeeper Silvana (Adriana Barraza) and her chronic pain self-help group. But after one of its members, Nina (Anna Kendrick), committed suicide and Claire had a bit of a meltdown, the group has asked her to leave. Instead Claire pays a visit to Nina’s widower Roy (Sam Worthington). They both start leaning on each other for their recovery, even if that’s a very slow-going process.
Cake was an excellent film. Great performances, smart script, interesting topic handled seriously but also with a sense of humor, all tied together in a neat little package.
Calvin (Paul Dano) wrote a critically acclaimed bestseller when he was very young – and has been stuck ever since. He can’t really write anything, he’s afraid that he won’t live up to his own reputation. But then he starts writing about Ruby Sparks (Zoe Kazan) – the perfect girl for him – and literally falls in love with his own creation. That is, until she actually shows up in his kitchen. At first, Calvin believes that he’s finally cracked, but other people can see her, too. And so Calvin doesn’t question it, instead starts enjoying their relationship. But how long can anybody remain perferct?
Ruby Sparks is the perfect take-down of the Manic Pixie Dream Girl trope. And not only that, it is also a wonderfully charming, touching and funny movie with an extremely excellent cast.
In 1979, Iranian revolutionaries stormed the USAmerican embassy in Teheran. In the middle of this confusion, 6 employees managed to flee to the Canadian embassy and hide there. The CIA hires exfiltration expert Tony Mendez (Ben Affleck) to get them out of there. So Tony concocts a story about the shoot of a SciFi movie to provide a cover for the six of them, which includes the basic pre-production of the film.
Argo is a classic, straightforward and very well-made thriller that hits all the right notes in the right way, even if it doesn’t surprise. But it makes the perfect case for a tried and tested format executed well.
Sara (Julianne Nicholson) recently broke up with her boyfriend Ryan (John Krasinski). To cope with the ensuing funk she starts an interview project she wants to use for her dissertation where she interviews various men or records conversations she overhears. The subjects of these interviews are varied but mostly they revolve around sex.
I thought that the film’s set-up was a little weird, focusing away from the interviewee’s and on to the interviewer as it does. That just didn’t work that well for me. But the cast was good and most of the respective interviews very nicely done.
5 people get trapped in an elevator: a mechanic (Logan Marshall-Green), a guard (Bokeem Woodbine), an old lady (Jenny O’Hara), a young woman (Bojana Novakovic) and a salesman (Geoffrey Arend). While police detective Bowden (Chris Messina) tries to get them out of there, weird things start happening inside the elevator. And it’s soon apparent that one of the five trapped people is the devil himself.
I saw the name M. Night Shyamalan (who is credited with the story of the film) and I thought that it was going to be one of those movies that will have an interesting premise and then suck the hell out of it. And not surprisingly, I was right. I’m really glad I didn’t spend any money on this film.
Roger Greenberg (Ben Stiller) just finished his therapy at a psychiatric facility and returns from New York to Los Angeles. Until things look differently, he stays at his brother’s (Chris Messina) house. His brother, in the meantime, is on holiday. With only the family dog for company, Roger tries to reconnect with his old friend (Rhys Ifans) but in the end only finds some form of human connection in Florence (Greta Gerwig), his brother’s personal assistant/house keeper.
I know I’m probably losing all of my indie cred and any reputation I have built up as a film critic on this here blog but, dammit all: That movie was fucking boring. Yes, the cast was excellent but there’s only so much you can do without an actual plot.
Burt (John Krasinski) and Verona (Maya Rudolph) are a happy couple, even if they have financial difficulties and rather crappy jobs. When they discover that Verona is pregnant and that Burt’s parents (Catherine O’Hara and Jeff Daniels) are moving away, they decide to start life anew and go on a (road) trip through the US, visiting friends and relatives to decide where that new life should happen.
Away We Go is another one of those movies where somebody somewhere decided that it is not fit for marketing. Oh, and what a bad choice again. It’s a wonderful, funny and heart-warming movie with a great soundtrack that I can only recommend. Over and over again.
Julie Powell (Amy Adams) is working in an office, but her real passion in life is cooking. So, one day, she decides to cook her way through Julia Child’s (Meryl Streep) French cookbook and blog about it, not anticipating the changes this will make to herself and her life.
Interwoven into Julie’s story, we see how Julia Child’s gets to write the book and how hard she had to work for it.
Julie & Julia is good, solid entertainment: Nothing too deep, nice sense of humour and good performances. Makes for a very enjoyable evening.