Prince Hamlet (Benedict Cumberbatch) just returned to Denmark after his father’s death. His mother Gertrud (Anastasia Hille) has quickly remarried – and who else but Hamlet’s uncle Claudius (Ciarán Hinds)? But Hamlet’s father still haunts the castle grounds and he tells Hamlet that it was his own brother who killed him. Now it’s upon Hamlet to set things right again. But Hamlet’s grasp on sanity is slipping. Or maybe that is all a ruse?
I have seen Hamlet now in many iterations and just like Shakespeare’s historical plays aren’t for me, Hamlet isn’t for me either. This production certainly didn’t change my mind. (The only notable exception to that rule is Branagh’s Hamlet. And North’s To Be or Not To Be, which I have yet to read in its entirety/play through.)
Many years ago Dr. Litvenko (Ciarán Hinds) built the Agent Program: gentetically modified hitmen without remorse or fear. Realizing how dangerous this is, Litvenko disappeared, taking the science with him and making it impossible to create any more Agents. The Syndicate has been trying everything to restart the Program, but was unsuccessful. Now they’re desperate to find Litvenko. Litvenko’s daughter Katia (Hannah Ware) is also desperate to find her father and find out why he abandoned her. Just as she’s getting close, she meets John Smith (Zachary Quinto) who warns her that Agent 47 (Rupert Friend) is tracking her with orders to kill her.
I did not expect Hitman: Agent 47 to be a good film. In fact, it was the kind of film where puzzledpeaces and I packed a bottle of alcohol eached and just got really, really drunk during the film. For that it was perfectly chosen. For everything else, Hitman is a waste.
Many years ago, Anne Elliot (Amanda Root) was engaged to Frederick Wentworth (Ciarán Hinds), but took the advice of her motherly friend Lady Russell (Susan Fleetwood), as well as listened to the opinions of her father Sir Walter (Corin Redgrave) and her sister Elizabeth (Phoebe Nicholls) and dissolved the engagement since Wentworth didn’t have much standing. Quite by coincidence Frederick is back in her life after years in the Navy and has made a name for himself as well as a fortune. Anne is convinced, though, that he will never forgive her for her past actions. And when her cousin William Elliot (Samuel West) starts courting her, she might be getting another chance, despite being alread 27 years old and still unmarried.
Persuasion was so incredibly nice, I almost burned the cake that I was baking while watching it because I couldn’t bear to leave Anne and Frederick.
Conor (James McAvoy) and Eleanor (Jessica Chastain) used to be the perfect couple. But something happened and now they’re not. Eleanor is distant and doesn’t want any contact with Conor and Conor has trouble respecting that boundary. But Eleanor isn’t as done with Conor as it might seem at first and the question remains whether they can find back to each other or not.
The Disappearance of Eleanor Rigby was good but not as great as it could have been. I expected a little more from the concept – TDoER: Them is a cut based on two films, TDoER: Him, which tells events from his perspective, and TDoER: Her, which tells them from hers. But the splice generally feels a little uneven.
Anna (Kristen Bell) and her sister Ella (Idina Menzel) were really close until Ella accidentally hurt Anna with her magic power that controls snow and ice. As a precaution their parents, the king and queen, effectively isolate Ella completely, much to Anna’s chagrin who doesn’t remember anything about the power. After their parents die, Ella is supposed to take over but things go out of hand and Anna finds herself on a mission to save not only Ella, but their entire kingdom with Kristoff (Jonathan Groff).
Frozen is beautifully animated, funny and very sweet. The plot is nice as well and surprisingly feminist. And to round things off, the music was really nice.
John Carter (Taylor Kitsch) calls his nephew Edgar Rice Burroughs (Daryl Sabara) to come to him, just before he dies. When Edgar arrives – just a bit too late – he gets John’s diary and starts to read about how John traveled to Mars many years ago with the help of a mysterious amulet. On Mars, he found himself captured by an alien tribe and then caught in a war that threatens the entire planet.
John Carter delivers exactly what you expect it to: brainless but extremely entertaining action with campy performances. Is it great film-making? No. But it’s great entertainment.
The young lawyer Arthur Kipps (Daniel Radcliffe) gets the job to take care of the estate of a recently deceased woman in a small town. So he leaves his small son (Misha Handley) at home with his nanny (Jessica Raine) to travel to the middle of nowhere. But when he arrives there, things quickly become very weird. And the estate Arthur has to work in seems to be haunted by a less than benevolent spirit.
There are two things that keep The Woman in Black from being a really good movie: 1, Daniel Radcliffe’s inability to act and 2, the ending that had me rolling my eyes so hard. But it’s an otherwise wonderfully moody movie with some good scares.
Control (John Hurt), head of the British Intelligence, suspects that there is a double agent very high up the ladder in “the Circus.” So he sends Jim Prideaux (Mark Strong) to Hungary to meet a source who can reveal the identity of the mole. But things go wrong, Prideaux gets shot and Control and his right hand George Smiley (Gary Oldman) have to retire. But then the agent Ricki Tarr (Tom Hardy) also brings the info about a double agent and Smiley gets hauled out of retirement to find said agent.
I was so looking forward to this film. I mean – look at that cast! What more could you wish for? [Except for a few women.] Unfortunately the movie ended up being so incredibly boring, I don’t even have words. Also, the brown, the brown! It kinda started hurting my eyes after a while.
1997: Rachel (Helen Mirren) is a retired Mossad agent. Her daughter is launching her book about Rachel’s most important assignment when Rachel’s ex-husband Stephan (Tom Wilkinson) brings her the message of David’s (Ciarán Hinds) suicide. In 1966, Rachel (Jessica Chastain), Stephan (Marton Csokas) and David (Sam Worthington) were in Germany together on said assignment: they were supposed to find the Nazi doctor Jürgen Vogel (Jesper Christensen) and bring him back to trial in Israel.
The movie is absolutely excellent. The cast is great, the story (while not completely surprising) was tense and I was completely involved. It did have some weaknesses but they hardly mattered.
Harry Potter (Daniel Radcliffe) slowly uncovers the final secrets surrounding his life while his fight with Lord Voldemort (Ralph Fiennes) draws to an end. After pretty much everything has gone to hell, things – and people – are finally coming together for the final battle while Harry, Hermione (Emma Watson) and Ron (Rupert Grint) try to destroy the remaining horcruxes.
After HPatDH:1 2 pretty much had to be a cinematic revelation (I still can’t believe how boring 1 was), just in comparison. And that worked out. Is it the best movie ever? Well no, David Yates is still its director. But it’s a decent and fitting ending to the series.