Plot: A year ago, Ig (Daniel Radcliffe) had it all: a nice girlfriend, Merrin (Juno Temple), a good family (Joe Anderson, James Remar, Kathleen Quinlan), a great best friend, Lee (Max Minghella), and many plans. And then Merrin got raped and murdered – and Ig is the only suspect. Bit by bit, his life and he himself fell apart. The day after the anniversary of Merrin’s death, Ig wakes up with the worst hangover of his life – and horns growing out of his head. While Ig still wonders whether the horns are really there or not, he notices that they have an effect on people: They tell him all their darkest secrets and lowest impulses. Soon Ig decides that he will use the horns to finally learn the identity of Merrin’s killer.
I really liked the novel this is based on and then it never came to cinemas here and got kind of lost in my netflix list. But I finally made it and can say that it is a very capable adaptation, even if I didn’t love it as much as the book.
Hank (Paul Dano) is stranded on a deserted island. His only company is Manny (Daniel Radcliffe). It’s just that Manny is actually dead. But he is still able to speak and his body has some absolutely perfect properties for Hank’s escape. So the two of them make their way back home. And the longer they travel together, the more they discover about each other.
It’s hard to put into words how strange Swiss Army Man actually is and how much that strangeness benefits it without it being a gimmick. Much too often, the strangeness of a film feels like posturing, here it is an absolutely central part of the film’s heart and soul – and it’s got a lot of those, transforming Swiss Army Man into a magical experience that is bound to make you emotional.
After the last stunt they pulled, the Four Horsemen have to lie low. Danny (Jesse Eisenberg) is growing increasingly frustrated with the situation – he doesn’t want to hide anymore, while Dylan (Mark Ruffalo), working as a double agent at the FBI, does his best to keep them off the Horsemen’s real trail. But when Lula (Lizzy Caplan) shows up in Danny’s apartment with a whole lot of knowledge about the Horsemen, it seems that the time of hiding is over anyway. Danny calls together the remaining Horsemen – Jack (Dave Franco) and Merritt (Woody Harrelson) to figure out a plan, only to realize that Lula wants to become one of them. So they start planning their heist, but things don’t go as planned.
While Now You See Me was an entertaining, if far from perfect, romp, Now You See Me 2 was simply a catastrophe. The best thing I can say about it is that it wasn’t entirely boring.
Igor (Daniel Radcliffe) works in a circus as a clown. Due to his hump, he is decried as a freak and mistreated at every turn. People certainly aren’t seeing his medical talent, even though they are okay with him treating them. Things change drastically for Igor, when Victor Frankenstein (James McAvoy) turns up in his circus one night. Victor realizes how much of a diamond in the rough Igor is, helps him to flee, cures him of his hump and enlists him in his own experiments: Victor is set on freeing the world from death itself.
How many Frankenstein adaptations does the world need? No matter, there’s always one more. Victor Frankenstein isn’t a particularly good one at that, but I’m pretty damn sure it is the gayest one in existence. I’m pretty sure I’ve seen gay porn that wasn’t that homoerotically charged. And that did make it pretty fun to watch.
Amy (Amy Schumer) doesn’t believe in relationships. She’d rather have sex with random guys while dating Steven (John Cena) who is nice to look at but not exactly a rocket in bed. But then Amy has to do a story on sports doctor Aaron (Bill Hader) for the magazine she works at. Amy has as little interest in sports as she has in monogamy, but Aaron is actually a nice guy. And he likes Amy. He even asks her out, forcing Amy to take a long hard look at her life and to decide whether it’s really the life she wants to lead.
I’m not a huge fan of Apatow (though I did love Freaks and Geeks), so I usually give his movies a wide pass. But I had heard good things about Amy Schumer, and since Trainwreck is also written by her, I decided to give it a try. And I have to admit that the movie worked pretty well for me.
Plot: Allen Ginsberg (Daniel Radcliffe) gets a place of university and isn’t unhappy to get away from home, where his mentally ill mother (Jennifer Jason Leigh) makes his life difficult, the relationship with his father (David Cross) is strained. At university, Allen meets Lucien Carr (Dane DeHaan) and is immediately fascinated by him and his reckless lifestyle. Lucien introduces him to David Kammerer (Michael C. Hall), William S. Burroughs (Ben Foster), Jack Kerouac (Jack Huston) and Jack’s wife Edie Parker (Elizabeth Olsen). Allen realizes that something strange is going on between Lucien and David, but is swept up in the anarchistic energy that envelops Lucien, William, Jack and him. But the harmonious and fun beginnings soon give way to difficulties and tensions.
I am still a little undecided about this film. The cast is really good, the story is interesting and it’s all packaged into a film that is mostly fine but lacks something I can’t put my finger on.
The young lawyer Arthur Kipps (Daniel Radcliffe) gets the job to take care of the estate of a recently deceased woman in a small town. So he leaves his small son (Misha Handley) at home with his nanny (Jessica Raine) to travel to the middle of nowhere. But when he arrives there, things quickly become very weird. And the estate Arthur has to work in seems to be haunted by a less than benevolent spirit.
There are two things that keep The Woman in Black from being a really good movie: 1, Daniel Radcliffe’s inability to act and 2, the ending that had me rolling my eyes so hard. But it’s an otherwise wonderfully moody movie with some good scares.
Harry Potter (Daniel Radcliffe) slowly uncovers the final secrets surrounding his life while his fight with Lord Voldemort (Ralph Fiennes) draws to an end. After pretty much everything has gone to hell, things – and people – are finally coming together for the final battle while Harry, Hermione (Emma Watson) and Ron (Rupert Grint) try to destroy the remaining horcruxes.
After HPatDH:1 2 pretty much had to be a cinematic revelation (I still can’t believe how boring 1 was), just in comparison. And that worked out. Is it the best movie ever? Well no, David Yates is still its director. But it’s a decent and fitting ending to the series.
[Hell, if you don’t know what Harry Potter is about, you might not want to start here. Anyway.]
Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) leave school to find and destroy the horcruxes that keep Voldemort (Ralph Fiennes) alive. But the search is more difficult and dangerous than they anticipated.
I’ve said it before, I’ll say it again: I think both the books as well as the movies have reached their peak with number four (though The Prisoner of Azkaban is a close second). HPatDH1 did nothing to change my point of view on that. The pacing’s bad, the direction is worse and there’s no reason to drag this out in two films, since nothing really happens in this one anyway.
Harry Potter (Daniel Radcliffe) is in his sixth year at Hogwarts (school for wizadry). He finds a mysterious book that belonged to the half-blood prince and the notes in it help him star in Prof. Slughorn’s (Jim Broadbent) potion class. At the same time he works together with Prof. Dumbledore (Michael Gambon) to find out more about Lord Voldemort and his weaknesses.
The Half-Blood Prince is definitely the weakest of all the Potter movies so far. The plot’s all over the place, things happen you can only understand if you’ve read the books and HOLY SHIT! they spoil the seventh book/movie. What the hell?