Rachel (Emily Blunt) takes the same train to work every day. And every day she sees Megan (Haley Bennett) who lives a few houses down from the one Rachel used to live with her now ex-husband Tom (Justin Theroux). Tom left her for Anne (Rebecca Ferguson) and they still live in that house with their new baby. Rachel becomes rather obsessed with Megan, catching three seconds of her life every day. And then she hears that Megan went missing. Rachel wants to help, but she is also worried about herself because she lost the memory of the night Megan went missing and just knows that she woke up dirty and with blood on her hands.
The Girl on the Train tries very much to hit the same lane as Gone Girl but fundamentally misunderstands what made Gone Girl so great. It was a frustrating experience.
[SPOILERS for The Girl on the Train and Gone Girl]
Rose Creek is slowly being squeezed dry by Bartholomew Bogue (Peter Sarsgaard). When one of the citizens (Matt Bomer) refuses to cooperate with Bogue, he is shot. His widow Emma (Haley Bennett) decides to go and look for help, somebody to take on Bogue. By chance she finds Chisolm (Denzel Washington) and becomes a witness to his skills as a gunman. She begs for his help and Chisolm agrees reluctantly. But first he’ll have to get together a team and so he gets in touch with a few old friends.
I have neither seen Seven Samurai, nor the old Magnificent Seven, so I was fresh to the story with this film and I really wasn’t particularly taken with it.
You wake up in a sterile room. A beautiful woman, Estelle (Haley Bennett), informs you that you were just resurrected, your name is Henry and that she is your wife. You lost your memories and several body parts have been replaced by highly advanced protheses. Before you can really grasp the situation, you are attacked and Estelle is kidnapped by Akan (Danila Kozlovsky), a telekinetic gangster with an entire mercenary army at his disposal. You get away but have to figure out a plan to get Estelle back. So when the very strange Jimmy (Sharlto Copley) offers his help, you’re willing to take it.
Hardcore Henry is shot entirely from the first perspective and basically in real time, making it the cinematic equivalent of a first person shooter. That concept works well, although the storytelling was sacrificed for it.
Plot: Dane (Chris Massoglia) and Lucas (Nathan Gamble) just moved with their mother (Teri Polo) into a new house. Again. But there’s something different about that house – and that’s not the neighbors’ daughter Julie (Haley Bennett). Dane and Lucas stumble upon a seemingly bottomless hole in the basement. And when they open it, something escapes.
The Hole feels like one of those classic adventure films of the 80s where kids are curious explorers in a world where adults are barely anything more than an afterthought. It’s a rather nostalgic film in the way it’s made. It’s not without its faults but that works very well.
Smith (Thomas Dekker) just started college and so far, things seem to be pretty normal: He has a crush on his roommate Thor (Chris Zylka), but then hooks up with a girl he meets at a party, London (Juno Temple). His best friend Stella (Haley Bennett) is dating a gorgeous, but unfortunatley insane girl (Roxane Mesquida). In the middle of all this relationship drama, Smith has seemingly prophetic dreams and hallucinations about trash cans and guys in animal masks.
Kaboom is slightly insane, but very funny, well-acted, colorful, funny and has really awesome dialogues. And did I mention that it was funny?