Plot: Harry Rawlings (Liam Neeson) has made a career out of being a thief. Together with his crew Carlos (Manuel Garcia-Rulfo), Florek (Jon Bernthal), and Jimmy (Coburn Goss) he sets out to do another job – but this time things go wrong and they all die. Harry’s wife, now widow, Veronica (Viola Davis) who never knew much about his career, finds herself being pressured by Jamal Manning (Brian Tyree Henry) to whom Harry owed money. Not knowing what else to do, Veronica gets in touch with the other widows – Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Amanda (Carrie Coon) and tries to convince them to pull off a heist themselves.
Widows was a pretty good and more than usual complex heist film, but I’m afraid that my expectations were a little too high – it just wasn’t as good as what I’ve come to rely on in a Steve McQueen film.
Mark Felt (Liam Neeson) expected to be promoted to the head of the FBI when J. Edgar Hoover stepped down. Instead FBI outsider L. Patrick Gray (Marton Csokas) is. But even though he feels resentful about being passed over, it’s Gray’s handling of one of his first cases – a surveillance operation based, apparently, on unofficial orders from the White House – that really sours things for Felt. He decides to bring the information about the Watergate case anonymously. to the public.
Mark Felt: The Man Who Brought Down the White House shows that spying and whistle-blowing can be absolutely boring affairs. So boring, it’s astounding. I am honestly still in a state of disbelief how that happened.
Conor (Lewis MacDougall) has been having horrible nightmares for quite some time now. So when he hears a voice (Liam Neeson) at exactly 12.07 am that calls from him from the graveyard not far from his house, he is not particularly impressed. Not even when the yew tree in said graveyard gets up and comes to him, insisting that he was the one who called it. The monster promises Conor three stories that will help him, then Conor will have to tell his own story – the story of the nightmare he dreams almost every night.
A Monster Calls is a simply wonderful film. Based on the wonderful book, this shouldn’t come as a surprise, but it is always nice, when the film keeps the promise and potential of the book.
Emmet (Chris Pratt) is an ordinary lego worker, spending his days joyfully building things, though he is also a bit lonely. Everything changes though, when he sees Wildstyle (Elizabeth Banks), gets identified as the most extraordinary person and involved in the rebellion against Lord Business (Will Ferrell) whose main goal is to have everything in its place, chaos and with it diversity be damned.
The Lego Movie was a whole lot of fun, stitched together from references and meta jokes that nevertheless manage to form a coherent role with a rather surprising end, even if it sometimes runs a bit empty.
Bill Marks (Liam Neeson) is an air marshal with a host of problems, not the least of which is that he drinks too much. But all of those things take a back seat, when Bill starts receiving text messages mid-air threatening the plane and to kill its passengers if they don’t receive a whole lot of money. And despite Bill’s vigilance and the fact that the plane is flying, people start dying.
Non-Stop suffers from many things but mostly from a plot that doesn’t make a lick of sense and some serious lengths in the second half. At least there is the wonderful female cast.
Catherine (Julianne Moore) and David (Liam Neeson) have been married for quite a while and they’ve grown rather distant. And then Catherine starts to suspect that David is having an affair. When by chance she meets the young prostitute Chloe (Amanda Seyfried), she asks her to try to seduce David to test his loyalty. Which can’t really end well.
Chloe is a good thriller with interesting dynamics between its main characters, especially Catherine and Chloe. But the ending did not convince me. I just thought that it went a bit over the top.
Batman (Christian Bale) disappeared after taking the fall for Harvey Dent. But while Gotham City is getting cleaned up by the regular police now – and quite successfully so – a new threat is rising in the form of Bane (Tom Hardy). And when Bruce Wayne himself gets robbed by a Selena Kyle (Anne Hathaway), a cunning cat burglar, he decides that it might be time to come out of the retirement and face the world again.
I had very high expectations for this film (I mean, who hadn’t?) and while the film did not surpass them, it fulfilled them extremely well and was a very good ending to the trilogy.
After the death of his parents in a robbery and a foiled attempt to kill their murderer, billionaire Bruce Wayne (Christian Bale) leaves the country to search for something else entirely. While his hometown of Gotham City is slowly falling apart and swallowed by crime, Bruce ends up first in a prison, then with the League of Shadows, a mysterious organisation that wants to fight corruption, where he is trained by Henri Ducard (Liam Neeson). But when Bruce finds out about the actual goals of the League, he decides that he’d rather come home to Gotham and fight crime on his own terms – as the Batman.
Batman Begins is a wonderful start to the trilogy, and a film that is not only still enjoyable when you’ve seen the 10th time (or so), but also one that stands the test of time very well.
Ottway (Liam Neeson) works for an oil company as a huntsman – protecting the workers in Alaska from various natural threats like wolves. Unfortunately, one night the company plane crashes and Ottway finds himself stranded with a few other workers in the freezing middle of nothing. As they make their way south, it’s not only the cold and lacking provision that is a problem, though. They are being followed by an especially vicious pack of wolves that picks them off one by one.
I expected this movie to be awesome: I expected Liam Neeson to punch wolves and be a hard-ass and generally, I just wanted a mindless action flick. Unfortunately what I got instead was a meditation on how a man is supposed to die and it was so. incredibly. boring.
Alex (Taylor Kitsch) and his brother Stone (Alexander Skarsgard) are like night and day. Stone is in the navy, responsible and earnest, while Alex is perpetually drunk, chasing women and in trouble. But after a particularly bad incident during which Alex meets Samantha (Brooklyn Decker), he tries to get his life in order and joins the navy as well. A while later Samantha pushes him to ask her father, Admiral Shane (Liam Neeson), for her hand, just as a huge naval war game exercise is about to begin. But then aliens hit the earth right in the middle of the exercise and Alex finds himself not only fighting for his maybe-father-in-law’s recognition, but for the earth itself.
I expected so much of Battleship. I thought it was going to be one of the most entertaining movies of the year. And it does deliver – in everything but the action scenes. But since they comprise most of the film, the whole thing starts to drag a bit.