Plot: Doctor Dolittle (Robert Downey Jr.) has a gift: he’s a veterinarian who can talk to the animals directly. But every since his wife (Kasia Smutniak) was lost at sea, he hasn’t worked anymore. This changes quickly, when he gets two visitors in a day: the first one is Tommy (Harry Collett) who brings in a hurt squirrel, and the second is Lady Rose (Carmel Laniado) who brings the news that the Queen (Jessie Buckley) may well be dying if Dolittle doesn’t help – and that would mean that he’d lose his entire estate. Forced from his isolation, Dolittle takes on the case – and Tommy makes sure to be part of it.
Dolittle has potential – Downey Jr. surrounded by animals voiced by a whole lot of excellent people? What can go wrong? A lot, apparently. Maybe this film should serve as a case study for that.
Art gallery owner Susan Morrow (Amy Adams) receives a package in the mail. It contains the draft of her ex-husband Edward Sheffield’s (Jake Gyllenhaal) new novel and the information that he is in town and would like to meet her. Susan hasn’t spoken to him in almost 20 years and she is surprised by the novel and the meeting, but she starts to read the novel that was apparently inspired by her. It tells the story of Tony Hastings (Jake Gyllenhaal) who goes on a roadtrip with his wife Laura (Isla Fisher) and daughter India (Ellie Bamber) – a roadtrip that turns violent when they get into trouble with another car and its passengers.
Nocturnal Animals is a highly polished film that tells a story that goes under the skin. It’s definitely not a film that lets go of you easily, even if not everything about it works without a hitch.
Alice (Mia Wasikowska) is working very hard to keep her father’s shipping company together, but things aren’t going well. Things seem doomed after her mother (Lindsay Duncan) signed over their shares to Alice’ former suitor Hamish (Leo Bill). It is just then that bad news reaches Alice from Wonderland and she sets off there to help the Mad Hatter (Johnny Depp) who hasn’t been himself. In fact, he seems to have crossed the line into absolute madness, believing firmly that his family isn’t actually dead, but can still be brought back. Reluctantly Alice agrees to help by speaking to Time (Sacha Baron Cohen) and trying to get to the chronosphere which would help them clear matters up. But things get more complicated when it becomes obvious that the Red Queen (Helena Bonham-Carter) is also involved.
The first Alice film wasn’t particularly good, though I did enjoy watching that cast in that production design for the most part. That’s why I figured I would give Alice Through the Looking Glass a try as well. Unfortunately, it was even less convincing than the first film.
Bathsheba Everdene (Carey Mulligan) is rather poor, but her neighbor Gabriel Oak (Matthias Schoenaerts) whose hard work has seen him well-established as a farmer courts her anyway. But Bathsheba doesn’t want to get married and give up her freedom, and before she can change her mind, Gabriel loses everything and Bathsheba surprisingly inherits a large estate. With their fortunes reversed, Gabriel starts working for Bathsheba who not only tries to run her new farm on her own, but also finds herself entangled with her rich, well-settled neighbor William Boldwood (Michael Sheen) and dashing young officer Francis Troy (Tom Sturridge).
Far from the Madding Crowd is a beautiful piece of cinema: great cast, stunning camera work, perfect score and an engaging, interesting story. I loved it.
Bella (Kristen Stewart) survived the birth of her daughter Renesmee (Mackenzie Foy) and is quickly adapting to having become a vampire like Edward (Robert Pattinson). But the arrival of a half-human, half-vampire child causes quite a few ripples in the vampire community. And when the Volturi hear about it, they believe that Bella and Edward turned a human child into a vampire – a capital offense they will make sure will be punished.
Well, it is over. I think that is about the best one can say about this. But they manage to have basically nothing happen in the movie at all (though they did force some action in, and quite cleverly I might add) and to not resolve anything, really. And I think that if you haven’t read the books, the whole thing only makes a limited amount of sense. At least, with 3/4 of a rum bottle I shared with C. during the film, it was quite entertaining.
Bella (Kristen Stewart) and Edward (Robert Pattinson) are finally getting married and Jacob (Taylor Lautner) even stops sulking long enough to talk to Bella for five minutes, before Edward whisks her off to their own private honeymoon island. Within a few days, Bella realizes that she is pregnant. Since Edward is a vampire that should be impossible. And that’s only the beginning of the trouble.
Breaking Dawn was pretty much what you’d expect it would be – only that I undererstimated the amount of alcohol I would need to get through it and then we hit the birth and I wasn’t drunk yet and then we hit the imprinting and I had to beg aber_karramba for some of hers because I was all out. [See also.]
But apart from that, given the source material, the film wasn’t actually that bad.
Gil (Owen Wilson) is a screenwriter who is trying to write a novel. When he travels to Paris with his fiancée Inez (Rachel McAdams), he feels inspired by his surroundings. Inez on the other hand seems to only want to spend time with the pretentious Paul (Michael Sheen). One night Gil goes for a walk on his own, gets picked up by a car and ends up in Paris in the 1920s , his favorite period where he meets F. Scott (Tom Hiddleston) and Zelda Fitzgerald (Alison Pill), Ernest Hemingway (Corey Stoll), Gertrude Stein (Kathy Bates), Salvador Dalí (Adrien Brody) and many others. But then he meets Adriana (Marion Cotillard) and they really hit it off.
After the last few Woody Allen movies I saw and really didn’t enjoy, I was unsure whether to watch Midnight in Paris at all. But the cast drew me in and thankfully I did enjoy it more than I feared I would.
20 years ago, Kevin Flynn (Jeff Bridges), programmer extraordinaire, vanished and left his young son with the mess. Now Sam (Garrett Hedlund) has grown from a confused child into a confused adult, who plays annual pranks on his father’s (now his own) company instead of working there. But then Sam gets a clue about his fathers disappearance and before he knows it ends up “on the grid” – a virtual world where his father’s program Clu (UncannyValley!Jeff Bridges) rules the programs with an iron fist.
I was expecting a very bad movie but what I got was pretty tolerable. I mean, there’s still a lot of crap going on – but at least it’s mostly entertaining. And the soundtrack is absolutely awesome.
Alice (Mia Wasikowska) is at a party with her family – actually, it’s her engagement party, only she doesn’t know – when a white rabbit (Michael Sheen) appears to her. Since the rabbit is wearing a waistcoat and a pocket watch, Alice is intrigued. She follows it to Wonderland where she discovers that an old prophecy is waiting just for her.
Even with the Tim Burton bonus and the wonderful cast, I cannot say that this was actually a good movie. I mean, it looked great but that script and that plot and the character CGI…
Bella’s (Kristen Stewart) birthday is coming up and she’s worried because she’s going to be 18, but her vampire boyfriend Edward (Robert Pattinson) will be an eternal 17-year old. When, during her birthday party, she cuts her finger and makes co-vampire Jasper (Jackson Rathbone shares this role with the most ridiculous wig ever) almost eat her. So Edward decides that he is too dangerous to be around and leaves Bella (taking his whole family with him). Bella sinks in a deep hole of despair that can only be kinda filled by Jacob (Taylor Lautner), best friend cum werewolf. And then things get really bad.
You thought Twilight was craptastic? New Moon is worse. So much worse. All the actors seemed unable, or at least unwilling, to act (except for Billy Burke and Taylor Lautner). Chris Weitz sucks so much. And yet, it isn’t a bad adaptation of the book, though it could have been better.