Plot: When teenager Celeste (Raffey Cassidy) sings at a memorial, her career as a pop star takes off. She finds a manager (Jude Law) and a publicist (Jennifer Ehle) and rises to fame, always accompanied by her sister Eleanor (Stacy Martin) who writes her songs. 18 years later, Celeste (Natalie Portman) is still a star, but she also struggles. Especially her relationship with her sister and her daughter Albertine (Raffey Cassidy) is strained, but there are other issues as well. As she prepares for the tour of her new album, tensions rise everywhere.
Vox Lux is a well-made film with an excellent cast that appears to be saying more than it actually does. I failed to really connect with it.
Plot: Biologist Lena (Natalie Portman) joins a mission into Area X, an area where nature shows strange behavior that nobody is able to explain, after her husband (Oscar Isaac) went missing there. The expedition, led by Dr Ventress (Jennifer Jason Leigh), is supposed to find out more. Anything they can, really. The five women – Lena, Dr Ventress, Josie (Tessa Thompson), Anya (Gina Rodriguez) and Cass (Tuva Novotny) – set off and are soon faced with phenomena that are even stranger than anticipated.
I was very excited about Annihilation, having recently read the books and loved them and having mostly enjoyed Garland’s previous films. But I have to admit that Annihilation was a bit of a let-down for me. It might have been different if I hadn’t read the books, but I’m not sure.
A year after the assassination of John F. Kennedy (Caspar Phillipson), his widow Jackie Kennedy (Natalie Portman) gives an interview to a journalist (Billy Crudup) about the difficult path she had to navigate in the time since. Weighed down by her own shock and grief, she still has to make sure she upholds the Kennedy’s reputation and her own husband’s legacy.
Despite a great cast and a great look, Jackie did not work for me. It continuously bored me and I just could not get into the story, the film or the characters.
Amos (Amir Tessler) lives with his parents Fania (Natalie Portman) and Arieh (Gilad Kahana) in Jerusalem. They are a happy family, although Fania misses her family in Tel Aviv, with whom communication is difficult due to the political circumstances. Amos grows up close to his mother who loves to tell him stories. At least until she becomes more and more depressed.
A Tale of Love and Darkness is not a bad film for a first feature from Portman as director. It does have a few weaknesses, but it certainly shows a lot of promise for her as both writer and director.
Kate (Lily-Rose Depp) and Laura (Natalie Portman) are sisters who make their living with performances of psychic readings, with Kate’s youthful innocence convincing people of her talents as a seer, while Laura controls the show. The two don’t just perform for big audiences, they also do private séances. One of these brings them to film producer André Korben (Emmanuel Salinger) who lost his wife. Korben takes to the two women, wanting to use them for his filming business. But his interest becomes more and more obsessive.
Planetarium has promise but unfortunately it’s too messy and unfocused to really deliver on that promise. Ultimately it starts to drag and simply left me unsatisfied.
Rick (Christian Bale) is a screenwriter living in LA. He moves from party to party, woman to woman. He seems to be looking for something, but who knows for what?
[Actually the first note I wrote down for this film is: “I don’t think I could write a plot description for this film”, so you’ll have to live with that little bit.]
I don’t like Terrence Malick movies. I decided to watch this one anyway because Cate Blanchett! Christian Bale! Natalie Portman! And so many other actors I love. But it turns out that Knight of Cups is everything I hate about Malick movies turned up to 11, while nothing I used to still like about them works for me anymore.
Ever since the events in Avengers, Thor (Chris Hemsworth) has done his best to ensure the peace across the realms, while Loki (Tom Hiddleston) is locked up on Asgard. Which means that Thor doesn’t have time for Jane (Natalie Portman) who is still waiting for him. But when Jane stumbles on the Aether, an ancient weapon, Thor comes to her aid, just as Malekith (Christopher Eccleston) comes for the Aether, planning to destroy the universe with it.
As much as I love the first Thor movie – and I do – I have to admit that it doesn’t quite reach the heights that Thor: The Dark World reaches. I can’t remember the last time I laughed so hard in a movie, especially an action movie. It does almost everything completely right and it’s just plain great.
After yet another attack by the Frost Giants on Asgard, Thor (Chris Hemsworth) loses his cool and together with his brother Loki (Tom Hiddleston) pays them a rather violent visit. Their father Odin (Anthony Hopkins) is less than happy about this and decides to ban Thor to Earth until he’s learned his lesson and is less rash. On Earth, scientist Jane Foster (Natalie Portman) stumbles upon Thor and doesn’t really know what to do with him. And if it wasn’t challenging enough for Thor to try and return to Asgard, a shitload of trouble is brewing with Loki.
Even on re-watching, Thor is an absolutely entertaining and fun-filled film with a great cast and really good pacing. I enjoyed the hell out of it again.
The princes Fabious (James Franco) and Thadeous (Danny McBride) couldn’t be more diffirent. While Fabious goes on quest after quest (and always returns successful), Thadeous tries to live life as responsibility-free as he can. From his latest quest, Fabious brought back Belladonna (Zooey Deschanel) who has spent her life in captivity, held by the evil Leezar (Justin Theroux) who plans to use her for a ritual. Fabious and Belladonna want to get married but before they can, Leezar steals her back. So Fabious goes on yet another quest – only this time he drags Thadeous along.
This movie was so extremely bad, I don’t even have words for it. The first time I thought about turning off the film was about 30 minutes in. But then Natalie Portman hadn’t shown up yet and I kinda kept assuming that this movie had to become funny at one point or another. It never did. Instead it continued to be absolutely dreadful.
T. J.’s (Devin Brochu) mother recently died and ever since he’s been lost. His father Paul (Rainn Wilson) has deeply withdrawn into his depression, his grandmother (Piper Laurie) is trying her best to take care of them, but isn’t really capable of that anymore. On one of T. J.’s forays into the city (which often lead him to the car wreck his mother died in), he runs into Hesher (Joseph Gordon-Levitt), a smoking, cursing, aggressive mess, who follows T. J. home and moves in with him and his family. And maybe Hesher is just what they all need.
The movie wasn’t mindblowingly good, but it was nice and I enjoyed it. Admittedly, mostly for Joseph Gordon-Levitt, but also for its sense of humor.