Margaret (Sandra Bullock) is a good editor and she loves her job. She is not so much a good boss as her assistant Andrew (Ryan Reynolds) knows from his own experience. When the Canadian Margaret is confronted with the fact that she might be deported because her visa expired, she pressures Andrew into marrying her. But the immigration officer Mr Gilbertson (Denis O’Hare) isn’t convinced, so they can’t just leave it at the formalities. That’s how Margaret ends up at Andrew’s grandmother’s 90th birthday party. With his welcoming family and the two of them in a decidedly unworklike environment, their relationship starts to change.
The Proposal is cute, if you manage to ignore a lot of things about it (heteros are exhausting). I enjoyed it while it lasted, but it won’t become a favorite or a film I’ll revisit at all.
Michael Bryce (Ryan Reynolds) used to be the best bodyguard/security manager in the business. That is, until he lost a client in the worst way. Now he’s relegated to small projects with clients of no importance. Which is exactly why his ex-girlfriend Amelia Roussel (Elodie Yung) contacts him: she’s charged with delivering assassin Darius Kincaid (Samuel L. Jackson) to the International Court in The Hague to testify, but they’ve run into serious trouble and Amelia doesn’t know who else she can trust anymore. But Michael and Darius have an incredibly tense history that they now have to put aside to work together.
The Hitman’s Bodyguard is pretty entertaining, albeit not unbelievably great. It has its moments and its weaknesses, but mostly it’s fun.
Six astronauts/scientists on the International Space Station study samples that have just been successfully collected on Mars. They hope to find out more about the conditions on Mars, but what they find instead is actually life: a single cell organism that’s either dead or dormant – but it’s there. They can barely contain their excitement, especially when their attempts to revive the organism are actually successful. But they have never encountered a live form like this – and it quickly turns out that it’s more than they bargained for.
Life is a decent, albeit derivative film that works pretty well – at least if you don’t keep comparing it with the Alien franchise it is a little sibling of.
Wade (Ryan Reynolds) used to be a special forces agent, now he’s a mercenary and he’s very much in love with Vanessa (Morena Baccarin). Things should be simply great, but then he’s diagnosed with cancer and his chances aren’t good at all. In his desperation he agrees to an experimental treatment administered by Ajax (Ed Skrein). But the treatment doesn’t go quite as planned. While effective, it is also torture, leaving Wade healthy and with superstrength and healing abilities, but also with a burnt face and a thirst for vengeance.
Deadpool was funny and entertaining and as juvenile as can be expected from this film. It’s far from perfect and there were quite a few things I took exception to, but overall, I enjoyed it a whole fucking lot.
Plot: Maria Altmann (Helen Mirren/Tatiana Maslany) had to flee Austria during the Second World War because she’s Jewish, and has never returned there since she was exiled to the USA and lost most of her family to the Nazis. But after the death of her sister, Maria realizes that she has the responsibility to guard her family’s memories. And part of those memories is the painting of her aunt Adele (Antje Traue), painted by Gustav Klimt (Moritz Bleibtreu), that the Nazsi took from her home and that is now hanging in a federal Austrian museum. As the Austrian government just started hearing restitution claims, Maria asks lawyer Randol Schoenberg (Ryan Reynolds) for help with recovering that painting. They even travel to Austria together, where they meet journalist Hubertus Czernin (Daniel Brühl) who warns them that the Austrian government won’t be cooperative. That proves to be right and Maria and Randy have to dig in for a long fight.
After I read the first reviews, I didn’t expect Woman in Gold to be any good. But I was pleasantly surprised: it’s an engaging and well-made film that is only marred by the German used in the film.
Jerry (Ryan Reynolds) is a little off, but he does his best. He has found steady employment at an appliance factory, he regularly sees his therapist (Jacki Weaver) and he is in love with his co-worker Fiona (Gemma Arterton). So, how much can it really matter that his dog Bosco (Ryan Reynolds) and his cat Mr. Whiskers (Ryan Reynolds) talk to him? When things start to go very wrong for Jerry and everybody in his life, it turns out, it matters quite a bit.
I was afraid that I would miss the film because it only got a very limited release and in Vienna, they didn’t seem to show it in English at all – when I stumbled over a cinema announcing it in a subbed version weeks after the start, right before the last showing (they have since started to show it again, after a two week break). This coincidence, added to my general excitement for the film, really made my expectations higher than ever – and I’m happy to say that those expectations were completely fulfilled. The Voices was really great. It’s funny (in a very macabre way), but it’s also sad and quite touching.
Plot: Police officer Nick (Ryan Reynolds) has a good life with his wife Julia (Stephanie Szostak) but he worries that he’s not providing enough for her. So when he and his partner Hayes (Kevin Bacon) get the opportunity to steal some gold from a crime scene, they do. But Nick regrets it. Before he can do anything about that regret though, he is killed – by Hayes. To pay for his dishonesty, Nick is drafted into the R.I.P.D. – the Rest in Peace Department – in the afterlife. Together with his partner Roy (Jeff Bridges) they are supposed to bring wandering souls in. But something bigger is happening.
R.I.P.D. was pretty much exactly like I imagined it (dumb popcorn cinema) and yet pretty boring with it. If they had embraced their own dumbness a bit more, it might have been more entertaining.
Eep (Emma Stone) lives in a cave with her family, fiercely protected by her father Grug (Nicolas Cage). Grug lives by the credo the everything new is bad and will get you killed. But Eep is not satisfied with that – she’s way too curious. And then she stumbles upon Guy (Ryan Reynolds), a young man who is prophesizing the end of the world. When their cave gets destroyed, Eep and her family join Guy on his way to a safe place.
The trailer for the Croods promised a coming-of-age story as Eep gains her independence from her father – which is a movie I would have loved to see. Unfortunately what we got was a movie that quickly sidelines Eep to focus on the guys, especially Grug.
Matt (Ryan Reynolds) is in a charge of a CIA Safe House in South Africa. Which means that he spends most of his time sitting around an empty house and being bored, hoping for a promotion or some kind of action. But that changes when rogue and recently apprehended agent Tobin Frost (Denzel Washington) is brought in. As if an actual guest in his Safe House wasn’t enough excitement, they are attacked right after Tobin’s arrival. And suddenly Matt finds himself in deeper shit than he ever hoped for.
Safe House was amazingly and deeply boring. It’s amazing that a movie with so much actual action can be so unexciting.
Plot: Hal Jordan (Ryan Reynolds) is a fighter pilot and basically the definition of irresponsibility. One day Hal stumbles upon a dying alien, Abin Sur (Temuera Morrison). Abin Sur is a Green Lantern, an intergalactic police force. His power source is a ring that can harness will power and which choses Hal to be Abin Sur’s successor. So Hal gets drawn into the world of the Green Lanterns and their biggest foe Parallax (Clancy Brown).