16-year-old Heidi (Abbie Cornish) runs away from home after being caught when her mother’s boyfriend kisses her. She ends up in a small town in the mountains where she tries to connect with people. With men, that mostly means sex, though that doesn’t really end well. She finds a motherly friend in Irene (Lynette Curran) who offers her a place to stay; and she finds a job. And then she finds Joe (Sam Worthington) and kind of falls in love with him. But Joe is withdrawn and rough and is still trying to figuring out his own sexuality.
I hadn’t heard much about Somersault before seeing it, I basically bought it because Abbie Cornish is in it. What I got was an emotional, engaging and beautiful film with a wonderful ending.
Plot: Rob Hall (Jason Clarke) thought he found his niche when he established guided tours up Mount Everest for more or less amateur climbers, but since he started, many others have followed his lead and now base camp is full with groups – one of them led by Scott Fischer (Jake Gyllenhaal). Rob, too, brings yet another group to climb the top, among them journalist Jon Krakauer (Michael Kelly), postman Doug Hansen (John Hawkes), enthusiastic climber Beck Weathers (Josh Brolin) and Yasuko Namba (Naoko Mori) who wants to complete her collection of over 8000m peaks she’s climbed. But the group encounters more than one problem.
I’m not a mountain person. I don’t even understand skiing as a pastime, something people do voluntarily (and I’m fucking Austrian). So the concept of climbing Mount Everest is utterly alien to me. I understand it even less after having seen this film.
After an accident Claire (Jennifer Aniston) is in chronic pain, bitter and lonely. Her only points of social contact are her housekeeper Silvana (Adriana Barraza) and her chronic pain self-help group. But after one of its members, Nina (Anna Kendrick), committed suicide and Claire had a bit of a meltdown, the group has asked her to leave. Instead Claire pays a visit to Nina’s widower Roy (Sam Worthington). They both start leaning on each other for their recovery, even if that’s a very slow-going process.
Cake was an excellent film. Great performances, smart script, interesting topic handled seriously but also with a sense of humor, all tied together in a neat little package.
In Summer House, Jane (Talulah Riley) tries to get away from her ex Richard (Robert Pattinson).
In Blue Poles, country guy Miles (Sam Worthington) picks up hippie hitchhiker Libby (Hallie Shellam).
In Grasshopper, business man Travis (James Franco) forgets his cell phone on the train which is found by punk Terri (Rachel Miner).
In Pennies, Charlotte (Amy Adams) has to come into some money really quickly for the sake of her daughter. Unfortunately, she’s only a waitress.
In Auto Motives, we see various people in different situations involving cars.
I got drawn in by the impressive cast list in this collection. Unfortunately that seems to have also been the only criteria in the choice of putting those originally unconnected short films together in one film. There is no thematic arch whatsoever, but even taken on their own, the films are absolutely damn weak.
People are stopping to believe in or pray to the gods, which weakens them considerably. Zeus (Liam Neeson) tries his best to avoid that, even asking his son Perseus (Sam Worthington) for help, who now leads the life of a quiet fisherman and doesn’t want to hear about it. But when Ares (Édgar Ramírez) and Hades (Ralph Fiennes) betray Zeus and Poseidon (Danny Huston) and capture Zeus, Perseus sets out ot save his father – and the world with the help of Queen Andromeda (Rosamund Pike) and Poseidon’s son Agenor (Toby Kebbell).
Much like the first film, Wrath of the Titans is a movie of the “plot? What plot?” variety. But the special effects are still great, the cast mostly has fun and the dialogues are cringe-worthingly awesome. There are also more daddy issues to ridicule in this one film than in all of the Nolan movies put together, which is quite an achievement. It’s entertaining.
Nick Cassidy (Sam Worthington) has been sentenced to quite a few years in prison for stealing a 40 million dollar diamond from David Englander (Ed Harris). But during his father’s funeral, Nick manages to escape and appears again on the ledge of a hotel, trying to prove his innocence or throwing himself off. He requests negotiator Lydia Mercer (Elizabeth Banks) who, despite a recent misgiving, tries her best to talk him down. But Nick has a secret agenda: while the attention is focused on him, his brother Joey (Jamie Bell) and his brother’s girlfriend Angie (Genesis Rodriguez) try to break into Englander’s safe across the street from the hotel.
This movie was surprisingly not sucky. It is not a great film, but it is wonderfully entertaining.
1997: Rachel (Helen Mirren) is a retired Mossad agent. Her daughter is launching her book about Rachel’s most important assignment when Rachel’s ex-husband Stephan (Tom Wilkinson) brings her the message of David’s (Ciarán Hinds) suicide. In 1966, Rachel (Jessica Chastain), Stephan (Marton Csokas) and David (Sam Worthington) were in Germany together on said assignment: they were supposed to find the Nazi doctor Jürgen Vogel (Jesper Christensen) and bring him back to trial in Israel.
The movie is absolutely excellent. The cast is great, the story (while not completely surprising) was tense and I was completely involved. It did have some weaknesses but they hardly mattered.
Joanna (Keira Knightley) and Michael (Sam Worthington) are a rather happily married couple. But after a business dinner, they get into a fight about Michael’s attractive co-worker Laura (Eva Mendes). The next day, Michael goes on a business trip with Laura while Joanna runs into her ex-boyfriend Alex (Guillaume Canet). And suddenly both of them spend a night grappling with temptation.
Last Night is a quite little movie. There’s nothing flashy about it, nothing that really stands out – neither in a good, nor in a bad way. It’s just a film you tend not to notice, though it is intelligent, surprisingly well acted and engaging.
Perseus (Sam Worthington) is found as a baby, sharing a casket with his mother’s body that’s floating at sea. A fisherman takes him in. About 20 years later, Perseus witnesses soldiers destroying a statue of Zeus (Liam Neeson) and Hades (Ralph Fiennes) coming from the underworld to punish them. But Hades not only kills the soldiers, but also Perseus’ family.
So, Perseus swears revenge and sets out to win the war between the gods and the men.
Clash of the Titans is great. I mean don’t get me wrong, it’s a very bad movie but it’s the “so bad it’s good” kind. It’s epic crap – and it is amazingly entertaining for it. [I’ve seen it for a second time already – definitely a guilty pleasure movie for me.]
Some time in the future, there’s a space station on the planet Pandora where the humans are mining for a valuable mineral. To ameliorate the relations with the humanoid inhabitants, the Na’vi, the military has developped a program where a few people get avatars – Na’vi bodies humans can steer.
One of the people with avatars is Jake Sully (Sam Worthington). He quickly develops a friendship with Neytiri (Zoe Saldana), one of the Na’vi. But when the tension between the humans and the aliens becomes stronger, Jake will have to decide.
Avatar looks beautiful. And that’s where the good things stop. The story is crap. Ridiculous crap. The acting is so-so. The music is pompous. Actually, the whole film is pompous. Not to mention racist and ableist and just plain bad.