Plot: Vita (Gemma Arterton) and Virginia (Elizabeth Debicki) move in similar social circles, but have yet to meet personally. Vita has admired Virginia from afar and she is determined to become friends with her. Virginia is taken aback by Vita’s adamant attempts at first, but she has to admit that she is also drawn to Vita. It doesn’t take long and they become friends, then lovers, inspiring each other in their writing. Despite their progressive surroundings, not everybody can deal equally well with their relationship though.
With Vita Sackville-West and Virginia Woolf being who they were and having led the lives they led, it is hard to imagine a film about them that wouldn’t be at least interesting. But that doesn’t necessarily mean that the film would have been well-made. In this case, luckily, the film is not only interesting, it is very well-made indeed.
It’s the middle of World War II, times are tough and Catrin (Gemma Arterton) needs a job as her husband Ellis (Jack Huston), an artist, doesn’t make enough money to keep them afloat. She gets hired as a scriptwriter for propaganda films and quickly gets saddled with the task of writing the supposedly unimportant women’s dialogue. When she hears about a story about two young women who participated in the Dunkirk evacuation, she brings the idea for an entire film – which makes her co-author to Tom (Sam Claflin) and handler to the aging star Ambrose (Bill Nighy).
Their Finest is a beautiful, fantastic film that touches on many things, but most of all it pulls on heartstrings in the perfect way.
Within a few blocks in London, different lives intersect. Emily (Gemma Arterton) and Max (Idris Elba) have had better times as a couple. As former rugby player Max descends into drugs, adultery and aggression, Emily finds herself a new old lover in Jake (Tom Cullen). Meanwhile cab driver George (Charlie Creed-Miles) and his wife Kathy (Kierston Wareing) are trying to have a baby, but have to opt for adoption which proves to be a new challenge. And Kingsley (Franz Drameh) has been sentenced to community service at the local cemetery with caretaker Terrence (Ken Stott) who sees Kingsley’s artistic potential.
Before stumbling on 100 Streets, I thought, “A film with Idris Elba and Gemma Arterton aka two of the hottest people currently on earth who also happen to be talented as fuck and favorites of mine? HOW HAVE I NEVER HEARD OF THIS?” Having seen the film now, I know: some films are deservedly unheard of.
Teenaged peasant Joan of Arc (Gemma Arterton) knows that she has a mission to fulfill – voices tell her that she is the one to end the siege of Orléans and to crown the Dauphin (Fisayo Akinade) as King. All she needs is a few men from Robert de Baudricort (Matt Bardock). Baudricort doesn’t really believe her but his Steward (Rory Keenan) does. And faced with Joan’s conviction, Baudricort allows himself to be convinced. So Joan rides off to make her destiny. But not all are taken with Joan’s mission, despite – or maybe because – her success.
Saint Joan is an interesting production in its mixing of period elements with contemporary ones. I also liked this take on Joan, with Arterton shining as always. Nevertheless it falls a little shy of a really great production.
Eleanor (Saoirse Ronan) and her mother Clara (Gemma Arterton) had to leave their old town in a hurry and have ended up in a small coastal town where they try for a new start. Being centuries old vampires, this is not the first time they had to do this. Eleanor is struggling with what she is, while Clara is pragmatic enough to always fall on her feet. She quickly finds Noel (Daniel Mays), who owns a run-down hotel, and with him shelter and work. Meanwhile Clare meets Frank (Caleb Landry Jones), a student with leukemia, and feels immediately drawn to him. But they aren’t save yet.
Byzantium has a great set-up and a great cast and it could have been utterly brilliant, but it did neither justice. To call it disappointing almost isn’t strong enough.
When Tara (Gemma Arterton) is released from prison, she goes to see Renée (Adèle Haenel). Renée works as a school teacher and is trying to have a baby with her boyfriend (Jalil Lespert), but it appears that her past was rather different: Tara demands money from her, money they stole together before she was arrested, at a time when Tara worked with Sandra (Adèle Exarchopoulos). But how does Renée’s life tie in with Sandra or teenager Karine (Solène Rigot) who behaves much more maturely than she is or the small Kiki (Vega Cuzytek) who loves to play outside, even at the dangerous junkyard.
Orphan really impressed me (and was the first of the Scope100 films that year that actually did). It’s a well-made film with fascinating female characters.
Melanie (Sennia Nanua) has a very regular life. She gets up in the morning, gets dressed, sits herself down in her chair and waits to be strapped down by the soldiers lead by Sergeant Parks (Paddy Considine). When her legs, arms and head are secure, she is rolled to class together with the other children. Her favorite teacher is Miss Justineau (Gemma Arterton) who sometimes tells them stories. But her routine is destroyed when she is first carted off by Dr. Caldwell (Glenn Close) who wants to perform some kind of surgery on her – and then the military base she lives at is overrun by hungries. And suddenly Melanie finds her life turned upside down – and she has to learn the truth about her world and herself.
After having read the novel, I expected many things of The Girl with All the Gifts and I’m glad to say that it absolutely delivered. It’s a fantastic film.
Jerry (Ryan Reynolds) is a little off, but he does his best. He has found steady employment at an appliance factory, he regularly sees his therapist (Jacki Weaver) and he is in love with his co-worker Fiona (Gemma Arterton). So, how much can it really matter that his dog Bosco (Ryan Reynolds) and his cat Mr. Whiskers (Ryan Reynolds) talk to him? When things start to go very wrong for Jerry and everybody in his life, it turns out, it matters quite a bit.
I was afraid that I would miss the film because it only got a very limited release and in Vienna, they didn’t seem to show it in English at all – when I stumbled over a cinema announcing it in a subbed version weeks after the start, right before the last showing (they have since started to show it again, after a two week break). This coincidence, added to my general excitement for the film, really made my expectations higher than ever – and I’m happy to say that those expectations were completely fulfilled. The Voices was really great. It’s funny (in a very macabre way), but it’s also sad and quite touching.
Martin Joubert (Fabrice Luchini) is a literature professor turned baker, living a rather quiet life with his family in a small village. But then new neighbors arrive: Gemma (Gemma Arterton) and Charlie Bovery (Jason Flemyng) who moved there from England. Martin is quickly obsessed with Gemma, believing that she is the real life Madame Bovary since he keeps finding parallels between her life and the book. Soon he starts meddling and that’s not really a good thing, even if done with good intentions.
I really enjoyed Gemma Bovery. It was funny, sweet and it had Gemma Arterton [who is a wonderful actress and one the most beautiful people on this earth, so that’s always a plus].
Richie (Justin Timberlake) used to be somebody on Wall Street but then his world came crashing down. Now he’s back at uni, struggling to finance his studies and supplementing his income with referring people to online poker games. When he himself loses in one of them, he is certain that he was scammed. So he decides to find Ivan Block (Ben Affleck), the owner of the gambling site, and let him know how people use his site to their advantage. Ivan is impressed and offers Richie a job. But things are not all what they cracked up to be.
Runner Runner was so boring that I actually fell asleep for the last five minutes or so, during the very showdown. I just didn’t care for anything that happened in this film.