Diana (Gal Gadot) grew up on the isolated island Themyscira populated only by women. But not any women: Amazons, warriors with an amazing lifespan from a time where gods still walked the earth regularly. Taught by her mother, Queen Hippolyta (Connie Nielsen) and her aunt Antiope (Robin Wright), commander of the guard, Diana grows up with a strong sense of right and wrong. So when the world outside literally crashes into hers in the shape of World War II pilot Steve Trevor (Chris Pine), Diana is sure she is meant to help to end the war, even if it means going against the wishes of her mother.
I maybe wasn’t quite as enthusiastic about Wonder Woman as I would have liked to be (as it’s a female superhero in a film directed by a woman), but I did enjoy it a lot. Definitely the best of the DC movies so far.
Reggie (Tom Hardy) and Ronnie (Tom Hardy) Kray are notorious, at least in the East End of London. Officially night club owners, their main business isn’t so legal which brings them under the scrutiny of police officer Nipper Read (Christopher Eccleston) who has yet to find something big that sticks. When Reggie has to go to prison for a while, Ronnie – who is not exactly mentally healthy – starts to get out of hand.
Legend tells a good story with a fantastic cast in a pretty clunky way. Tom Hardy is amazing though in both roles, so if all else fails, there is that.
Macbeth (Michael Fassbender) and Banquo (Paddy Considine) just fought successfully for King Duncan (David Thewlis) and are finally on their way home. In the woods, they meet four witches (Kayla Fallon, Lynn Kennedy, Seylan Baxter, Amber Rissmann) who predict, among other things, that Macbeth will become King. Spurred on by that prophecy and uncontent to just wait for it to come true, Macbeth and his wife (Marion Cotillard) hatch the plan to help things along when Duncan comes to visit. But murder comes with moral consequences – and it might not be the only thing necessary to make Macbeth King.
Macbeth unfortunately was an absolute disappointment. I don’t think I have ever seen a more monotous film, and that with Macbeth as your basis as well!
Michael Stone (David Thewlis) is traveling to a reading of his successful book on customer service. Despite his wife and kid at home and his successful career, he feels empty though. Everything seems the same, everyone seems the same. As he arrives in Cincinnati, he debates with himself whether he should contact his ex-girlfriend who lives there. But it’s not until he meets Lisa (Jennifer Jason Leigh) that some excitement seems to come into his life.
I liked Anomalisa, but it didn’t blow me away as much as it seems to have most people. It’s a good film, but I’m nowhere near falling over myself from excitement.
Angela (Emma Watson) has accused her father John (David Dencik) of abusing and raping her. While Angela remains at the church where she sought refuge, police detective Bruce (Ethan Hawke) tries to figure it out. But John claims to have no recollection of ever assaulting Angela. So Bruce looks to psychology professor Kenneth (David Thewlis) for help. Kenneth suggest hypnotic regression therapy to figure out what is going on. Soon Bruce finds himself deep into a farreaching network of satanistic abuse.
I suspect that I would have liked Regression if the general plot development hadn’t been so completely clear to me from the start. Although even so it wouldn’t have been completely unproblematic.
Plot: Stephen Hawking (Eddie Redmayne) is a brilliant, but a little aimless physics student who not only spends his time studying, but also having fun with his friend Brian (Harry Lloyd). During one of their outings he meets Jane (Felicity Jones) and they fall in love. But then Stephen is diagnosed with an illness said to kill him in a very short time. Supported by Jane, he takes up the fight to survive and finish his studies and surpasses all expectations – not only regarding his health, but also his scientific accomplishments.
The Theory of Everything is a nice film, but it is so completely paint by the numbers, that it is also boring. It never does anything really wrong, but there is also nothing that really makes it stand out.
Qohen Leth (Christoph Waltz) works as an entity cruncher for a huge corporation. The hours away from home are torture for Qohen as he is waiting for a call, so he has been trying to convince the corporation that he could work from home. When his supervisor Joby (David Thewlis) tells him that Management (Matt Damon) will be at his party, Qohen decides that he has to go there and talk to him. And he actually succeeds in that plan and a little while later, he starts working on the Zero Theorem from home.
Gilliam knows how to make a world look cool and a film look pretty. The cast is wonderful, too. Other than that though, the film is a boring, sexist mess.
When Daniel (Daniel Brühl) meets Julian (Benedict Cumberbatch) he is more than excited: Daniel has been keeping track of Julian’s hacking work and the WikiLeaks site he instated: a perfectly anonymous option for whistleblowers. Daniel wants to work with Julian and Julian lets him in, reluctantly at first. But soon their project gets bigger than they ever expected.
The Fifth Estate was an entertaining movie with a few lenghts and a disturbing subtitle-phobia. The cast was absolutely awesome, though.
Frank (Bruce Willis) and Sarah (Mary-Louise Parker) are starting to settle down. But Frank’s past, Sarah’s sense for adventure and Marvin (John Malkovich) make it pretty impossible for them to really live in peace. And so they soon find themselves hunting down what remains of Project Nightshade, a super-secret Cold War weapons project.
Red 2 was fun. Maybe not as much as the first one, but it gets pretty damn close. Great characters, nice dialogues and awesome performances.
Plot: Aung San Suu Kyi (Michelle Yeoh) thought she had left Burma behind. She built herself a life in the UK with her husband Michael Aris (David Thewlis) and her two sons Kim (Jonathan Raggett) and Alexander (Jonathan Woodhouse). But then her mother falls ill and she returns to Burma to take care of her. And suddenly Suu’s past catches up with her and she finds herself in the middle of the political change towards democracy in the country.
Aung San Suu Kyi is definitely a fascinating woman and Michelle Yeoh delivers a wonderful performance, but this movie has very many issues that pretty much eclipse those two facts.