Colby Cutler (Brendan Gleeson) rules his family with an iron fist, making sure that they’re all part of his criminal activities, but also provided for. But his son Chad (Michael Fassbender) has had enough of their life, of getting into trouble. He wants to make sure that his children are settled – literally it means leaving the collection of trailers that is their family’s home. But Colby won’t just let him go without a fight.
Throughout the film I was wondering whether the Cutlers are supposed to be Romani – because then it would have been one of the most racist films I’ve ever seen. It turns out that they’re actually Irish Travellers, meaning that the film isn’t racist, just stereotypical as fuck and pretty aggravating.
Callum Lynch (Michael Fassbender) was sentenced to die. But the Abstergo Company fake his death instead and bring him to Madrid. As Abstergo’s CEO Rikkin (Jeremy Irons) explains, Cal’s ancestor belonged to a brotherhood of assassins, and they need him to access his own genetic memories to find the Apple of Eden, an artifact that belongs to the Templars and that has been historically protected by the Assassin’s Creed. Cal is more than reluctant to participate until Rikkin’s daughter Sofia (Marion Cotillard) puts him into the Animus – a machine that makes it able to access his genetic memories.
Assassin’s Creed was impressively nonsensical and it was far from pretty enough to make up for the incredible stupidity. I saw it on January 5th and it was clearly one of my biggest mistakes of the year that I did not bring alcohol to the screening.
Maud (Carey Mulligan) has spent more or less her entire life working as a washer woman in a factory. Quite to the contrary to her co-worker Violet (Anne-Marie Duff), Maud is trying to keep her head down. Violet, on the other hand, is a passionate suffragette, fighting for women’s rights. But the longer Maud hears about this fight, the more she finds herself drawn to it, slowly stumbling into the movement until she herself has to make some hard choices about her life.
The reactions to Suffragette I encountered so far were lukewarm at best – and I’m the next person with that reaction to add to the list. It’s not really a bad film, but it isn’t very good, either.
Ben (David Rawle) and Saoirse (Lucy O’Connell) live with their father Conor (Brendan Gleeson) in a small lighthouse. Their mother Bronach (Lisa Hannigan) disappeared after Saoirse was born. When Saorise finds a pelt that belonged to their mother, she discovers that she’s actually a selkie. After spending a night in the sea with the seals, she washes up on shore where her grandmother (Fionnula Flanagan) finds her. Gran decides that the kids should come to the city to live with her. But there is a mission Saoirse as a selkie has to fulfill.
Moore’s first film The Secret of Kells completely enchanted me. Following that up is tough, but with Song of the Sea, he is more than up to the taks. It’s a sweet story that easily incorporates Irish mythology. Above all, it’s the beautiful imagery again that makes the film what it is.
Herman Melville (Ben Whishaw) finds the last survivor of the Whaleship Essex, Thomas Nickerson (Brendan Gleeson) and interviews him about what happened out there. Nickerson tells him how Owen Chase (Chris Hemsworth), who was promised a capitaincy by the whaling company, gets sidelined in favor of George Pollard (Benjamin Walker), an inexperienced young captain who brings the right pedigree to the table. Chase is pressured into being Pollard’s first mate and despite strong tension between the two men, they set out to go whale hunting. But pretty much everything that can go wrong on the whaling trip, does.
When I saw the first trailer for In the Heart of the Sea, I thought that it was actually a prequel movie for Moby Dick. Turns out, that’s not true: instead it’s the fictionalized story of the real life ship wreck that to some extent inspired Melville to write Moby Dick. And while I don’t care much for Moby Dick itself, so I have the suspicion that I wouldn’t have liked a prequel story better. At least if it was a boring reiteration of a story we’ve seen a million times alread like this film turned out to be.
Ethan Hunt (Tom Cruise) is tasked with retrieving the stolen Chimera virus: a supervirus that kills within a short amount of time. To get it, he is supposed to recruit thief Nyah (Thandie Newton), but as it turns out not for her skill set but rather for the fact that she used to date Ethan’s former co-agent who is responsible for the theft of the virus, Sean Ambrose (Dougray Scott). Ethan is uncomfortable involving Nyah in all of this, especially since he finds himself falling for her.
Holy fuck, I had forgotten how absolutely atrociously bad Mission: Impossible II is. It’s abysmal. It’s frankly astounding that they ever got to make another film in the franchise because this film was certainly bad enough to irrevocably kill it.
After a group of animal rights activists tries to free monkeys that have been infected with a rage virus, all hell breaks loose. But Jim (Cillian Murphy) knows nothing of that – he wakes up in hospital 28 days later to find an apparently empty world. Looking for an explanation and narrowly avoiding the infected, he finds Selena (Naomie Harris) and Mark (Noah Huntley) who fill him in. Together they take up the fight for survival.
I have heard many good things about 28 Days Later… and so my expectations were very high. While the film is solid and good, it couldn’t quite match those expectations. But that doesn’t mean that I didn’t enjoy it.
In the confession stand, Father James (Brendan Gleeson) hears from one of his parish that they were abused by another priest as a child and that they decided to kill Father James for it on Sunday. To kill an innocent to make more of a dent. So James has a week to put his things in order and try to figure out who confessed and see if he can’t convince him otherwise.
Calvary was hard to take, but in the best way. It was thoughtful, smart and opinionated; and had an absolutely stellar cast.
Tickle Head is a small village in Newfoundland, in desperate need of jobs and money. They are promised a new factory – but it’s only possible if they have a resident doctor in the village. As fate would have it, there’s Dr. Lewis (Taylor Kitsch) who gets blackmailed into doing a month of work in Tickle Head. That is one month Murray (Brendan Gleeson) and with him the entire village plan on using to make Lewis fall in love with their village – and if that means that everybody learns how to play cricket, everybody learns how to play cricket.
The Grand Seduction was a charming little film that was utterly predictable and brought nothing really new to the table, but executed tried and tested tropes flawlessly. That makes it basically the perfect rainy Sunday afternoon movie.
Humanity is at war with aliens and slowly losing. William Cage (Tom Cruise) is the face of the United Defense Force. But just the face – until he is sent into combat by General Brigham (Brendan Gleeson). Cage practically has to be dragged there and is promptly killed by an alien – only to awake again about 12 hours before his death. Together with the war heroine Rita Vrataski (Emily Blunt) who has been through the same thing, he tries to put an end to the aliens.
Edge of Tomorrow is an exciting film with great special effects. It leaves no action movie cliché unfeatured, but it does so most charmingly. If you’re able to accept that this film will give you only tried and true tropes, storytellingwise, you’re in for a really good time.