Kyoko (Ami Tomite) is a young artist who takes great pleasure in humiliating her assistant Noriko (Mariko Tsutsui). But as their sexually charged relationship unfolds, things keep shifting.
I saw the trailer of the film and I was very doubtful that I would like it. But I didn’t think I’d actively hate it. It took me about five minutes to arrive at that point though, and even though I tried to give it more of a chance, I didn’t succeed.
Chrissy (Asta Paredes) and Lauren (Catherine Corcoran) have just come out of a crisis at Nuke ‘Em High, and are already slithering into the next. On a personal level, their principal threatens to out them. On a larger scale, rich company owner Herzkauf (Lloyd Kaufman) isn’t done trying to make profits at Nuke ‘Em High any way he can.
After the short film that ran before it, I fell asleep for the first half or so of the film. But that just meant that I was awake enough to really take in the secod half even though I really didn’t want to. Troma will probably never win me over.
A new STD is spreading around town – Sex Lobsters. And there’s only one person who is able to stop them all: Dolphinman (Gibson Merrick).
Troma doesn’t make my kind of films, and Dolphinman Battles the Sex Lobsters was no exception. Although it really did make me laugh once, when the diagnosis came that it wasn’t, in fact, crabs, but lobsters. Other than that though, I didn’t care for the film one way or another.
Ian (Ian Meadows) and Sam (Harriet Dyer) decide to spend New Year’s Eve camping in the outback. As they set up their tent they discover an empty tent not far from them. Not thinking much of it at first, they become a little concerned when nobody comes back to the tent. When they find a lone toddler in the woods, their concern turns into panic. But before they can get help, they run into two men (Aaron Pedersen, Aaron Glenane) who probably aren’t up to much good.
Killing Ground operates a little too much along the usual plot lines, but it does so rather effectively, making it a solid film.
Gloria’s (Anne Hathaway) life is a mess. Gloria is a mess. When her boyfriend Tim (Dan Stevens) tells her things have to change or she has to move out, she decides to move back to her hometown to live in her parents’ empty house, instead of going to rehab which would have probably been the better choice. Once there she starts working for her childhood friend Oscar (Jason Sudeikis) and keeps partying hard. When reports surface about a giant monster that terrorizes Seoul, Gloria starts to realize that the monster is connected to her somehow.
Colossal has a fun concept that works over long stretches as a metaphor but not always. I enjoyed it, despite a few misgivings.
Plot: Jeffrey Dahmer (Ross Lynch) is a strange boy, an outcast at his school. He spends most of his time dissecting animal carcasses he found and experimenting with them. In his senior year, Jeff discovers that he will get attention if he pretends to be disabled or to have an epilleptic attack. This behavior draws the attention of Derf (Alex Wolff) and his friends (Tommy Nelson, Harrison Holzer) who decide to become the Dahmer fanclub. Jeff is honored, but can’t shake his weirdness that becomes more and more pathological.
My Friend Dahmer feels longer than it is, but in this case, that didn’t bother me at all. I thought it was a strong, thoughtful and smart film.
Jérôme Vandewattyne follows The Experimental Tropical Blues Band on tour. But that tour takes them all places that nobody expects. As things between the band members turn tenser and tenser, everything starts to spiral out of control. Spit’n’Split is a mockumentary in an interesting format: The band really exists and they played themselves, the tour was an actual tour, but the other events are fictional.
Spit’n’Split was an almost unbearable film. It starts boring and devolves into an experience of nerve-grating that made me want to run.
In a post-apocalyptic Belgium, Slutterball is the biggest from of entertainment: a prisoner is hunted through a zombie-infested park by two female roller-derby teams.
Slutterball is a short film and that’s a good thing. I did like the neon-color scheme and the visuals in general, but it was exhausting and the plot was missing. Most of all, it was sexist and transmisic and that just doesn’t work for me. But what else can you expect from a film that uses a fatmisic, sexist slur as its title?
Lung (Michael Ning) and Chi-Yeung (Kai-Chung Cheung) are best friends and their lives consist mostly of talking big. But Lung has a few things he has to face: his depressed step-mother Shan (Carrie Ng) has to give up the theater where they have been living. His father (Alex Man) was released from prison and his attempts to reconnect are mostly annoying for Lung. It’s no surprise that Lung prefers to spend his time dreaming about star Yee-Sue (Venus Wong) than face reality, while Chi-Yeung rather chases after the a little more reachable Chan-Yat (Cherry Ngan). But all of their lives is turned upside down when a birdlike monster makes an appearance that turns the people around them into zombies. Lung and Chi-Yeung might have to start facing up to their big talk.
Who takes a look at the zombie genre and thinks, “what this needs is an Angry Bird crossover”? The makers of Zombiology, apparently. It even works surprisingly well for a long time, but not the all the way through.
Dawn (Divine) wants nothing but cha-cha heels for Christmas. But when she doesn’t get them, she runs away from home. From then on, her life spirals out of control. She gets pregnant while hitch-hiking and turns to a life of crime. When she is approached by Donald (David Lochary) and Donna Dasher (Mary Vivian Pearce) for an art project – they want to photograph her while she’s committing crimes – Dawn’s life takes yet another turn.
Female Trouble was a fascinating film that I found intriguing in quite a few ways, although it was again not the easiest film to watch.